7 février 2020 Arts Etc

Conception par Kanami Yamashita

arts visuelles

La Columbia City Gallery a reçu une subvention du National Endowment for the Arts pour soutenir deux expositions destinées à soutenir les arts et le processus de guérison dans les communautés d’immigrants d’Asie et du sud-est de Seattle. La première exposition intitulée « Unbound – Beautiful 2020 » présente des œuvres d’art créées par les participants au programme de thérapie comportementale de la santé à Asian Counselling & Referral Services (ACRS), qui propose des programmes culturellement appropriés pour soutenir la récupération. L’artiste vietnamien américain Chau Huynh, du programme d’art-thérapie ACRS, créera le spectacle qui se tiendra du 19 février au 29 mars 2020. La réception d’ouverture est prévue le samedi 22 février de 17 h à 19 h. Et le public est le bienvenu. La deuxième exposition, financée par la NEA, s’intitule « The resting place » et examine les intersections entre la douleur, la migration et l’identité culturelle chez les Philippins américains. Le projet comprend des causeries d’artistes, une lecture de poésie et un rituel philippin « padasal », en plus de l’exposition elle-même. L’artiste philippin américain Derek Dizon est le commissaire de ce spectacle qui aura lieu du 1er avril au 10 mai 2020. 4864 Rainer Ave S. 206-760-9834.

«Notations» de l’artiste anglo-indienne de Seattle Lucy Garnett explore son identité multinationale passée et actuelle dans un échantillon d’œuvres d’art à grande échelle et d’installations de construction dans le hall et 3rd et 4e Étages de l’hôtel de ville de Shoreline. Il comprend également des sculptures, des gravures, des vidéos et des peintures. Ses sujets incluent la migration, la santé humaine, la justice sociale et la dynamique familiale. Présenté en collaboration avec Seattle Artist League. Jusqu’au 20 mars 2020. 17500 Midvale Ave. N. à Shoreline, WA. 206-801-2661.

« Le langage global des chapeaux: identité culturelle, rites de passage et spiritualité » est le titre d’une exposition itinérante qui présente des chapeaux et des coiffes d’une collection privée de chapeaux internationaux. Il présente des chapeaux d’Asie, d’Afrique, d’Europe, du Moyen-Orient et d’Amérique du Nord et du Sud. Organisé par International Arts & Artists, Washington, DC et la commissaire indépendante Stacey W. Miller. Jusqu’au 26 avril 2020 dans le Lightcatcher Building du Whatcom Art Museum. 250, rue Flora à Bellingham. WASHINGTON 360-778-8930 ou visitez www.whatcommuseum.org.

La Galerie Traver présente son «exposition annuelle du groupe d’artistes de la galerie» jusqu’au 29 février 2020. Ouverte également lors du premier jeudi Art Walk le jeudi 6 février de 17h à 20h. Certains des artistes représentés par cette galerie incluent Ling Chun, Jun Kaneko, Masami Koda, Hiroshi Yamano, Jiro Yonezawa et bien d’autres. 110 Union St. Suite 200 à Seattle. 206-587-6501 ou allez à www.travergallery.com.

« Coming Home » est une exposition collective assermentée d’art jeunesse présentée par Student Art Spaces. Le spectacle ouvrira la nuit du 6 mars et restera exposé jusqu’au 1er avril 2020. Actuellement, les présentations sont ouvertes aux artistes de l’État de Washington de 13 à 24 ans. Envoyez votre travail à studentartspaces.com. Le travail sera montré à l’hôtel de ville de Shoreline le 4e appartement. 17500 Midvale Ave N. à Shoreline, WA. 206-801-2661.

Le travail de Fong Baatz et Romson Regarde Bustillo est inclus dans une exposition collective au Bainbridge Island Museum of Art. Deux douzaines d’artistes de la région de Puget Sound sont présentés dont le travail comprend des portraits centrés sur le visage humain. Jusqu’au 23 février 2020. 550 Winslow Way East sur Bainbridge Island. Allez www.biartmuseum.org pour plus de détails.

Dans la Jack Straw New Media Gallery, l’artiste multimédia Yunmi Her présente « Natural Individuals », une réalité virtuelle intégrée et une sculpture créée pour explorer les caractéristiques spatiales du comportement de collection et pour explorer l’identité perdue d’un objet collecté. En vue du 14 février au 27 mars 2020. Réception d’ouverture le 14 février à 19h. Conférence d’artiste le 13 mars à 19h. Un atelier pour les jeunes et les familles à confirmer (email [email protected] pour une mise à jour). 4261 Roosevelt Way NE. 206-634-0919 ou www.jackstraw.org.

Le Seattle Asian Art Museum rouvre ses portes après une rénovation avec deux nouveaux spectacles. Les deux ouvriront le samedi 8 février 2020. « Be / longing: Contemporary Asian Art » présente 12 expatriés contemporains (ou une fois expatriés) d’Azerbaïdjan, d’Iran, d’Inde, de Thaïlande, de Chine, de Corée et du Japon. Issu de la collection du musée et de deux sources privées, l’œuvre reflète leurs perspectives sur le patrimoine asiatique « en tant que personnes de l’intérieur et de l’extérieur » dans le monde. « Boundless Stories of Asian Art » tente d’explorer la complexité du continent peuplé d’Asie. Au lieu de l’approche géographique habituelle, les conservateurs d’art asiatiques ont organisé les expositions autour de 12 thèmes communs tels que « culte et célébration, arts visuels et littérature, robe et identité » avec une large division de l’art thématique de la « vie spirituelle » dans les galeries du sud et la « vie matérielle » dans le nord. Le musée a un week-end de réouverture à partir de 9 h. M. A 9 p. M. 8 et 9 février 2020. C’est gratuit, mais des billets sont nécessaires, alors visitez seattleartmuseum.org pour plus de détails. (Ceci est déjà épuisé.) Si vous êtes membre du Seattle Art Museum, ça va mieux. Il y aura une journée portes ouvertes pour les membres les 5 et 6 février 2020 et les conservateurs seront là pour parler des nouvelles expositions et du nouveau design. 1400 E. Prospect St. 206-654-3210. Dans les nouvelles connexes, l’artiste Kenzan Tsutakawa-Chinn, un résident de New York et élevé à Seattle, a une nouvelle sculpture d’éclairage dans l’atrium principal qui couvre tout le toit du patio du jardin du Seattle Museum of Asian Art. L’artiste sera présent aux activités d’ouverture. Il est le fondateur du Studio 1, Thousand, un studio de conception d’éclairage basé à Brooklyn qui se spécialise dans les installations LED complexes. Pour plus d’informations, rendez-vous sur https://www.studio1thousand.com/

« Sub-spontané » est le titre d’une collaboration entre les artistes Rob Rhee et Francesca Lohmann. Ce spectacle mêle les œuvres des deux artistes qui collaborent avec les forces de la nature dans leurs pratiques sculpturales. 206-622-9250. Jusqu’au 19 avril 2020. Gratuit. Musée d’art Frye au 704 Terry à Seattle.

Dans KOBO in Fig dans le CID, c’est le suivant: un « Atelier floral préservé » de Delinger & Radovich a lieu le samedi 15 février.th, 2020 à partir de 11 h à 14 h (inscrivez-vous avant le 8 février en composant le 206-381-3000). Créez une boîte d’ombre de fleurs préservées unique en son genre. Deux ateliers avec l’auteur et artiste Junko Matsushita auront lieu le 22 mars 2020. L’atelier n ° 1 est « La blouse de Junko » et se déroule de 10 h à 12 h. L’atelier n ° 2 est le « haussement d’épaules de Junko » qui a lieu de 14 h à 16 h. Les participants coudront leurs projets à la main avec des tissus japonais fournis par Junko. La taille des classes est limitée. Inscrivez-vous avant le 15 mars dans l’un des magasins KOBO en composant le 206-381-3000. Junko Matsushita a commencé son label « Wrap Around R (tunique) » en 2005. Basé à Osaka, il a publié des livres sur ses clients et apparaît dans des magazines et des émissions de télévision au Japon. 602 South Jackson. 206-381-3000. Kobo a également une succursale sœur sur Capitol Hill au 814, rue East Roy, 206-726-0704.

La galerie ArtXchange présente: « Red & Gold: A Lunar New Year Celebration », qui est une exposition collective d’artistes de la galerie Bui Cong Khanh, Hoang Thanh Vinh Phong, Tuan Hiep, Tiao Nithakhong Somsanith, Jonathan Wakuda Fischer, Yuko Ishii , June Sekiguchi et Elaine Hanowell. Jusqu’au 26 février 2020. La galerie est située au 512 First Ave. S, 206-839-0327 ou [email protected].

Ahree Lee, basé à Los Angeles, est un artiste multimédia qui travaille dans la vidéo, la photographie, le son et les installations interactives. Elle a une installation vidéo intitulée « Permutations » actuellement en face du campus de la Fondation Bill et Melinda Gates au 500 Fifth Ave. N. en vue de 7h à 22h. Cette même installation apparaît également dans l’espace 4Culture Storefront Media Gallery au 101 Prefontaine Pl. S. Elle sera visible pendant un an. Cela fait partie de Storefront Media Gallery parrainé par 4Culture. 206-263-1588 pour plus de détails.

Foster / White Gallery présente une exposition de groupe intitulée « New works by gallery artists » qui sera exposée au cours du mois de février à Seattle. Le travail du sculpteur en céramique Calvin Ma. 206-622-2833 est inclus ou allez à [email protected]

L’artiste pakistanais Humaira Abid, qui travaille à Seattle et à Lahore, présentera une nouvelle œuvre à la galerie Greg Kucera lors d’une exposition avec le sculpteur Peter Millet au cours des mois de mai et juin 2020. En 2017, il a reçu le Artist’s Innovator Arts Award Confiance L’artiste de Seattle, Roger Shimomura, travaille sur un projet monumental, une petite pièce à la fois. Sa nouvelle série intitulée « 100 White Lies », composée de 100 petites peintures de 12 « par 12 » qui détaillent l’hypocrisie de l’histoire américaine, fera ses débuts à la galerie en janvier 2021. La galerie Greg Kucera est située au 217 Third Ave S. à Pioneer Square. 206-624-0770 ou visitez www.gregkucera.com.

L’Asia Pacific Cultural Center présente chaque mois une exposition d’un artiste local d’origine asiatique et américaine dans sa galerie. Le travail de l’instructeur d’art de l’APCC, Myong Sweet, et de ses étudiants adultes est maintenant en vue. Le premier samedi de chaque mois, il y a un cours de cuisine d’un autre pays de la région Asie / Pacifique de 11 h à midi. Pour vous inscrire et obtenir des détails, appelez le 253-383-3900. Et tourné vers l’avenir, le Centre pour ses 22Dakota du Nord La célébration annuelle du Nouvel An présente « Vietnam – Pays et Culture », prévue pour le 8 février 2020 à partir de 11h. à 18 h Tacoma Dome Exhibition Hall situé au 2727 E. « D » St. APCC est au 4851 South Tacoma Way à Tacoma. 253-383-3900 ou rendez-vous sur asiapacificculturalcenter.org.

Le Seattle Museum of Art a ce qui suit: « Exceptionnellement ordinaire: Mingei (art populaire) 1920-2020 ». La belle sculpture en bois « Obos 1 » de George Tsutakawa est incluse dans ce spectacle qui élargit le sens de l’art populaire. Comprend des œuvres d’artistes du Japon, de Corée et des États-Unis. UU. Placer Mingei dans une histoire de l’artisanat. En vue jusqu’au 11 juillet 2020. En cours est « Amusements purs: richesse, loisirs et culture dans la Chine impériale tardive ». La «série de conférences à l’Université du samedi d’hiver» se poursuit par une série de conférences sur le thème «Qu’est-ce que« précieux? dans les livres interdits et autres. La série explorera les façons dont les objets d’art, les relations et les domaines de connaissance ont été très appréciés à différents moments et endroits en Asie. Voici un programme partiel: le 8 février a « La menuiserie et les arts du Japon », le 15 février a « Le dragon et la perle: explorations d’un motif eurasien », le 22 février a « La princesse naufragée et autres histoires du Japon dans le Pacifique, « Le 29 février a » Hors du noir: livres interdits en Chine « et le 7 mars, » Chaekgeori, peinture coréenne de natures mortes « . La série se poursuit du 1er au 28 février Mars 2020 à 10 h au Seattle Art Museum Le coût est de 73 $ ou 46 $ pour les membres SAM. Billets individuels à la porte et gratuits pour les étudiants avec pièce d’identité. Les billets pour toute la série seront envoyés à la vente en novembre 2019. Dans le cadre de la série « Asia Talk », Judith Lerner, de l’Institut pour l’étude du monde antique à NYU, donnera une conférence intitulée « Travels of the Horn Rhyton, un verre à boisson exclusif iranien » Jeudi 16 avril 2020 à 19h au Seattle Asian Art M useum 10 $ en général, 5 $ pour les membres et gratuit à la porte pour les étudiants avec pièce d’identité. Au troisième étage de SAM, les démonstrations de la cérémonie du thé se poursuivent le troisième jeudi à 17h30. et les troisièmes dimanches à 14 h 30 Gratuit avec entrée. Visitez visitam.org/performs pour plus de détails. Le Seattle Museum of Art est situé au 1300 First Ave.206-654-3210 ou preuve www.seattleartmuseum.org.

Les artistes ont été sélectionnés pour la galerie multimédia 12 vitrinese 4 Saison de culture. Parmi les personnes sélectionnées se trouve Sri Prabha, un artiste multidisciplinaire originaire de Hyderabad, en Inde, maintenant basé en Floride. L’artiste demande comment notre compréhension intellectuelle se compare à nos réponses émotionnelles aux découvertes scientifiques dans « Brahama 3 », une vidéo 1080P à trois canaux. Pour plus de détails, rendez-vous sur 4culture.org.

L’artiste de Seattle Junko Yamamoto a été très occupé. Son travail est l’illustration de la couverture du prochain album « ++ Glacial ++ – Glacial – » de Paul Kikuchi et Evan Schiller. Son travail est inclus dans un article sur la Microsoft Art Collection de Shlomit Oren dans le magazine en ligne israélien Portfolio. Et enfin, le travail de l’artiste est inclus dans « Re: Definition », une exposition d’un an au Paramount Theatre Bar, organisée par Tariqa Waters. Ouvert fin janvier 2020.

Le Pacific Bonsai Museum bouscule cette tradition japonaise avec LAB (Living Art of Bonsai), une collaboration expérimentale pour l’innovation du bonsaï. Ce projet est une nouvelle séquence dans l’ordre d’influence entre l’artiste bonsaï, le potier et le fabricant de stands. Le projet commence en 2018 et se poursuit jusqu’en 2020. Vous pouvez regarder une vidéo d’un film sur ce nouveau processus en http://www.bonsaimirai.com. Pour plus d’informations, rendez-vous sur http://www.pacificbonsaimuseum.org. Le Pacific Bonsai Museum est au 2515 S. 336e St. dans Federal Way, WA. 206-612-0026 pour information.

Les nouveaux et récents spectacles et activités de The Wing incluent: « Where Beauty Lies » est une exposition qui explore la relation de l’Asie et du Pacifique américain avec l’apparence physique et la présentation personnelle, l’histoire des normes et des produits de beauté et la façon dont nous redéfinissons la beauté. Jusqu’au 19 septembre 2021. « Woven Together » présente une fenêtre sur la Birmanie / Myanmar avec des histoires personnelles qui reflètent son histoire, sa diversité et sa persévérance. Jusqu’au 10 novembre 2020. « Nouvel an toute l’année » est le regard annuel sur les aspects familiaux et culturels du nouvel an lunaire jusqu’au 2 février 2020. « Exclus, dans les limites » est en vue jusqu’au 23 février 2020. Découvrez l’histoire des lignes rouges et l’impact sur les communautés minoritaires. « Un dragon vit ici », la partie 4 de la série d’expositions en cours de Bruce Lee se poursuit. Cette dernière partie se concentre sur les racines de Bruce Lee à Seattle et sur la façon dont cette région a joué un rôle clé dans la formation de Lee et sa carrière innovante. L’exposition « Je suis philippin » est en cours. Heure du conte pour les jeunes enfants prévue le jeudi à 11 h Il a toujours des événements axés sur un livre pour enfants et une activité artistique ultérieure. Un nouvel ajout à la visite historique de The Wing Historic Hotels est «APT 507», qui est l’histoire d’Au Shee, une immigrante chinoise qui a aidé à construire le quartier chinois de Seattle. Votre salon est interactif avec des objets conçus pour se sentir, s’ouvrir et vivre. Carina del Rosario est commissaire d’une exposition intitulée « Grand angle / gros plan: un autoportrait de la communauté américaine des îles du Pacifique asiatique » jusqu’au 19 avril 2020. Comprend des photographies, des vidéos et des installations basées sur des photographies de photojournalistes documentant la communauté de l’intérieur. Publié pour la galerie de George Tsutakawa. Le musée est situé au 719, rue South King (206) 623-5124 ou visitez www.wingluke.org. Fermé le lundi. Du mardi au dimanche de 10h à 17 h Le premier jeudi de chaque mois est gratuit à partir de 10h. à 20 h Le troisième samedi de chaque mois est gratuit à partir de 10h. à 20 h

L’artiste de Seattle Alan Lau (divulgation complète, c’est moi) a une exposition individuelle de ses peintures dans la galerie Shoreline Community College. Jusqu’au 13 mars 2020. La galerie est ouverte du lundi au vendredi de 9h à 17h et ferme le week-end. 16101 Greenwood Ave N. à Shoreline, WA. 206-546-4101 ou courriel [email protected] pour plus d’informations.

Le Festival Northwest Flowers and Gardens de Seattle est l’hôte de Hiroki Ohara, directeur de l’école Ohara d’Ikebana du Japon. Il créera des arrangements qui transmettront le changement de saisons de l’hiver au printemps. Sa présentation intitulée « Snow-Moon-Flower: The Serenity of Ikebana » a lieu le samedi 29 février 2020 à 11h45 sur la scène DIY du festival. Le festival lui-même aura lieu du 26 février au 1er mars 2020 au Washington State Convention Center au 705 Pike St., au centre-ville de Seattle. 206-231-0140 ou rendez-vous sur gardenshow.com. Pour les billets, essayez Northwestflowerandgardenfestival.tix123.com.

Le Tacoma Museum of Art a ce qui suit: « Les artistes de l’immigration et l’Ouest américain » redécouvre les histoires et les expériences des artistes immigrants pris au piège dans l’expansion occidentale. Jusqu’au 14 juin 2020. «Endroits où vivre: implantations à l’ouest» propose des représentations des villes américaines à travers son histoire et son développement. Comprend des travaux de Kenjiro Nomura et Mian Situ. Jusqu’au 1er mars 2019. L’ouverture le 22 février 2020 est « Histoires oubliées: art public du nord-ouest des années 1930 ». Cette exposition analyse les initiatives d’art public dans le cadre de la WPA qui ont sorti les États-Unis d’une dépression et ont donné à de nombreux artistes des emplois pour peindre des peintures murales pour le gouvernement dans les années 1930. 1701 Pacific Ave. 253-272-4258.

L’installation sculpturale extérieure des artistes Cheryll Leo-Gwin et Stewart Wong de la région de Seattle a été installée à l’extérieur du palais de justice du comté de Bernalillo à Albuquerque, au Nouveau-Mexique, en janvier 2020. La pièce intitulée « Vue depuis la montagne » Golden « est un monument qui rend hommage à la cour historique de 1883 L’affaire » Territoire du Nouveau-Mexique contre Yee Shun « , qui a conduit à une modification de la loi et a permis aux Chinois puis aux non-chrétiens de témoigner dans un Cour de justice. Les deux artistes ont publié la déclaration suivante décrivant la pièce: «La tresse représente non seulement la queue utilisée par les Chinois, mais elle entrelace toutes les cultures et sert de colonne vertébrale à la sculpture et à notre pays. La tresse est défaite en haut pour contenir les citrouilles qui représentent les trois branches du gouvernement et la primauté du droit … le vrai pot d’or qui est à la fin de nos voyages. « Plusieurs résidents de la région de Seattle étaient présents le dévouement, y compris l’exécutif du comté de King Down Constantine.

«ACES: Artists of Color Expo & Symposium» présente une variété d’œuvres de 75 artistes de couleur sélectionnés à partir d’un appel ouvert, ainsi que diverses activités, y compris des conférences par des artistes locaux de premier plan. 28-29 février au Seattle Center dans The Armory & Vera Project. 305 Harrison.

Art Beasties est un collectif d’artistes japonais situé à l’international à New York, Seattle, Londres et Tokyo. Ils se rencontrent régulièrement sur Internet pour s’informer et s’inspirer mutuellement pour trouver des moyens alternatifs de reconnaître, de concevoir et de présenter des idées et l’art contemporain japonais. Le collectif a organisé un espace de travail «en collaboration» au sein du studio Alhadeff du Cornish College (derrière le Cornish Playhouse à Seattle Center) pour organiser et afficher les données et les connaissances du 20 janvier au 2 février 2020. Membres de Seattle qui ont participé étaient Paul Komada, Ko IRKT et Junko Yamamoto. Yuki Nakamura, un ancien résident de Seattle, a voyagé de Londres pour participer. Pour plus d’informations sur ce groupe, rendez-vous sur http://artbeasties.com/

L’art de Paul Horiuchi est inclus dans une exposition collective intitulée « Particulièrement spéciale: une célébration de Betty Black et de sa collection d’art », organisée par Kathleen Moles. Black était un grand collectionneur d’art local qui a soutenu des artistes émergents et éminents du Nord-Ouest. Jusqu’au 15 mars 2020. Le Museum of Northwest Art in 121 South 1S t À La Connor, WA. Traiter [email protected].

The Puget Sound Sumi Artists présente: « The World of Sumi », une exposition de groupe présentée du 26 mars au 19 mai 2020. Réception gratuite le vendredi 27 mars à 18h. Ouvert aux téléspectateurs pour voir 1 heure avant un événement ou sur rendez-vous. Tenue au Washington Performing Arts Center au 512, rue Washington à Olympie.

« Terre de joie et de tristesse: les pionniers japonais de la vallée de Yakima » est une exposition permanente qui raconte l’histoire des familles japonaises qui se sont installées dans la vallée de Yakima. Yakima Valley Museum au 2105 Tieton Dr. à Yakima, WA. 509-248-0747.

Le Portland Chinatown Museum présente les éléments suivants: « Visions of Diana » est la première exposition de Portland de peintures abstraites et de photographies de Diana Lo Mei Hing. L’œuvre illumine la nature dans un mouvement et une transformation infinis. L’artiste a grandi en Chine mais a fui avec sa famille en Italie. En 2015, il a déménagé à Portland. Jusqu’au 15 mars 2020. Dans la galerie permanente se trouve « Beyond the door: a tale of Portland’s Historic Quarters ». 127 NW Third Ave.503-224-0008 ou par courriel [email protected].

L’artiste Joseph Park, basé à Seattle, a travaillé sur une exposition collective intitulée « The Quiet Show ». La galerie affirme qu’il s’agit d’une sélection de 20 artistes orientés processus dont les œuvres d’art transcendantes évoquent l’immobilité et la contemplation. Réception le premier jeudi le 6 février 2020 de 18h à 20h. Galerie Elizabeth Leach. 417 NW 9e à Portland 503-224-0521 ou visitez www.elizabethleach.com.

L’Oregon Nikkei Legacy Center propose une série de spectacles qui couvrent l’histoire Nikkei-American de Seattle. « Genji Mihara: un pionnier d’Issei », « Non résolu / réinstallé: le Seattle Hunt Hotel » et « l’école de langue japonaise originale de Seattle et des artefacts du restaurant Nihonmachi ». Tous sont actuellement en vue au 121 NW Second Ave. à Portland 503-224-1458. Pour voir les activités et expositions en cours, visitez www.oregonnikkeilr.org.

Le Jardin japonais de Portland présente les expositions suivantes: « Spirits Rising: Hiroshima » est une série de photographies prises par Ishiuchi Miyako des vêtements portés par les victimes du bombardement atomique. Jusqu’au 15 mars 2020. 611 SW Kingston Ave. à Portland, Oregon. 503-223-1321 ou visitez japanesegarden.org.

Le Jordan Schnitzer Museum of Art situé sur le campus de l’Université de l’Oregon à Eugene a ce qui suit: la plupart des gens qui suivent les arts visuels connaissent déjà les peintures / estampes de Roger Shimomura qui évoquent simultanément la culture pop américaine, ukiyo-e, internement et histoire américaine. Mais peu sont également conscients de leur carrière dans l’art du spectacle. Une exposition individuelle à ce stade de votre travail la rectifiera. L’exposition, intitulée « Staging Shimomura », couvrira sa carrière artistique et sera exposée du 29 février au 21 juin 2020. « Kwang Young Chun: Aggregations » jusqu’au 28 juin 2020. Cet artiste sud-coréen combine des centaines de papiers. – Emballages emballés pour créer des compositions sculpturales qui ressemblent à des formations cristallines, des astéroïdes de la surface de la lune. « Evocative Shadows: Art of the Japanese Mezzotint » sera exposée jusqu’au 2 août 2020. 1430 Johnson Lane à Eugene, Oregon. 541-346-3027.

Le Portland Art Museum a « Curator’s Choice – Acquisitions of Japanese Impressions of the Last Decade » Jusqu’au 12 avril 2020. Les expositions à venir incluent: « Objets de contact: rencontres entre le Japon et l’Occident » du 29 au 29 février Août 2020. «Joryu Hanga Kyokai 1956-1965 – Les femmes flûtes à bec du Japon» en vue du 9 mai au 8 novembre 2020. 1219 SW Park Ave. 503-226-2811.

Le Musée d’anthropologie de l’UBC présente une exposition collective de 11 artistes qui ont atteint la maîtrise de la céramique. Intitulé « Jouer avec le feu: la céramique de l’extraordinaire », il comprend les travaux de Ying-Yueh Chuang, Brendan Tang et bien d’autres. Jusqu’au 29 mars 2020. 6393 N.W. Marine Dr. à Vancouver, B.C. Le Canada 604-822-5087.

Le jardin chinois classique Dr. Sun Yat-Sen à Vancouver, CB a ce qui suit. L’artiste en résidence Lam Wong rejoint le co-commissaire Steven Dragon. Ils ont réuni la première édition de l’échange d’art entre le Canada et la Chine pour les jeunes artistes émergents dans un spectacle intitulé « Recherche des choses ». Organisé en collaboration avec The Shang Foundation for Art et jusqu’au 21 mars 2020. 578 Carrall St. 604-662-3207 ou visitez vanouverchinesegarden.com.

Le Musée du Centre culturel chinois présente l’exposition en cours «Génération en génération – Histoire des Canadiens d’origine chinoise en Colombie-Britannique». 555, rue Columbia Vancouver, BC. 604-658-8880. Entrée par don.

L’instructrice Cheryl Lawrence dirige un atelier sur le textile japonais Katazome du 11 au 15 mars 2020 à Maiwa East à East Vancouver BC. Cette forme d’art comprend des éléments de gravure et de peinture utilisant des matériaux en papier naturel, des pigments, de la pâte de riz et du lait de soja. Frais de classe de 595 $. [email protected] pour plus de détails

La Galerie d’art du Grand Victoria est située au 1040, rue Moss à Victoria, en Colombie-Britannique. 250-384-4171 ou visitez aggv.ca.

Le Musée d’art asiatique de San Francisco a ce qui suit: à partir du 22 mars 2020, vous pouvez voir « Perdu dans la mer: l’art récupéré des naufrages ». Jusqu’au 26 avril 2020, « Chang Dai-Chien: la peinture au cœur » sera exposée. « Se réveiller: un voyage tibétain vers l’illumination » restera exposé jusqu’au 3 mai 2020.200, rue Larkin 415-581-3500.

Le Berkeley Museum of Art a ce qui suit: « Braves guerriers et contes fantastiques: le monde selon Yoshitoshi » jusqu’au 31 mai 2020. « Femmes divines, sagesse divine » qui célèbre les femmes d’Asie du Sud et de la région du Himalaya jusqu’au 24 mai. , 2020. 155 Center St. à Berkeley, Californie. 510-642-0808 ou allez à [email protected].

« Liquid Circuit » est la première exposition de l’enquête au musée de l’artiste Tishan Hsu, basé à New York, qui suit les idées clés de l’artiste et comment elles s’inspirent des implications de la présence croissante de la technologie et de l’intelligence artificielle et de la effets qu’ils ont sur le corps et l’être humain. condition. Organisé par Sculpture Center New York et organisé par Sohrab Mohebbi. Jusqu’au 19 avril 2020. Au Hammer Museum de Los Angeles. 10899 Wilshire Blvd.310-443-7000 ou test [email protected]. Après Los Angeles, le spectacle se rend au Sculpture Center de New York (9 mai – 12 août 2020) et se termine au Rose Museum of Art de l’Université Brandeis à Waltham, MA. 23 octobre 2020-10 janvier 2021.

A Nonaka-Hill du 8 février au 21 mars 2020 est l’œuvre de Sofu Teshigahara. Réception d’ouverture le 8 février 2020 de 18h à 21h .. Il s’agit d’une galerie spécialisée dans les céramistes japonais contemporains. 720 N. Highland Ave. à Los Angeles. 323-450-9409 ou visitez www.nonaka-hill.com.

L’atelier d’imprimerie et des beaux-arts Mixografia travaille avec des artistes visiteurs pour produire de nouvelles œuvres exposées dans l’espace de sa galerie. « Historias » est une exposition individuelle de trois gravures mixographiques de l’artiste new-yorkais Jacob Hashimoto (elle a une installation permanente au Tacoma Museum of Art). Abandonnant son travail habituel qui inclut les cerfs-volants en papier finement fabriqués comme thème principal, l’artiste se concentre sur l’utilisation de la corde. Dans ces compositions panoramiques, les cerfs-volants semblent désormais suspendus dans les airs et la corde trace une carte autour de la surface. Jusqu’au 22 février 2020. 1419 E. Adams Blvd. 323-232-1158 ou essayez mixografia.com.

Le travail de l’artiste de Los Angeles, Takako Yamaguchi, est inclus dans une exposition collective « Avec plaisir: motif et décoration dans l’art américain 1972 – 1985 » qui suit ce mouvement artistique innovant dans tous les médias. Jusqu’au 11 mai 2020. Museum of Contemporary Art, Los Angeles. 250 South Grand Ave.213-626-6222 ou essayez [email protected]

LACMA ou le Los Angeles County Museum of Art a ce qui suit: une installation extérieure de Mineo Mizuno restera exposée jusqu’au 23 février 2020. L’artiste d’installation Do Ho Suh réinvente l’appartement / studio qui J’avais quand je vivais à New York dans « Do Ho Suh: 348 West 22Dakota du Nord St « , qui restera exposée jusqu’au 25 octobre 2020. » Fidji: Art et vie dans le Pacifique « sera exposé jusqu’au 19 juillet 2020 ». Où est la vérité « L’art de Qiu Ying » sera exposé du 9 février au 17 mai 2020. L’emblématique artiste japonais Yoshitomo Nara, connu pour son travail figuratif naïf, a une rétrospective du 5 avril au 2 août. 2020. 5905 Wilshire Blvd. 323-857-6010.

L’USC Asia Pacific Museum présente ce qui suit: « Les rêves d’un monde endormi » d’Oscar Oiwa sera exposé jusqu’au 26 avril 2020. Cet artiste japonais de Sao Paulo et maintenant basé à New York invite les téléspectateurs à son environnement immersif, un paysage de rêve à 360 degrés. C’est son effort pour éveiller la paralysie dans laquelle nous nous trouvons dans le chaos de notre temps dans le monde d’aujourd’hui. Du 13 mars au 7 juin 2020, une exposition de groupe intitulée « Nous sommes ici: art et voix asiatiques à Los Angeles » sera présentée. Sept femmes artistes contemporaines de divers héritage API vivant et travaillant à Los Angeles sont incluses. Les artistes sont Reanne Estrada, Phung Huynh, Ann Le, Ahree Lee, Kaoru Mansour, Mei Xian Qiu et Sichong Xie. 46 N. Los Robles Ave. à Pasadena, Californie. 626-787-2680 o pruebe pacificasiamuseum.usc.edu.

Los 25e La Muestra Anual de Arte regresa del 5 al 9 de febrero de 2020 al South Hall del Centro de Convenciones de Los Ángeles. Es la feria de arte más grande del Pacífico y se dedica a mostrar la diversidad de influencias creativas de esa región. Múltiples galerías chinas están participando. El artista japonés Kazu Hiro, famoso por sus esculturas de retratos realistas, tendrá una retrospectiva de sus obras de « Iconoclasta ». La legendaria diseñadora de moda Sue Wong presentará una docena de sus vestidos icónicos. La Feria se asociará con el Museo Nacional Japonés Americano para mostrar al artista multimedia Taji Terasaki y su proyecto « TRANSCENDIENTES: Heroes at Borders », que honra a los héroes de Los Ángeles y de todo el país que luchan contra la discriminación, los prejuicios y la desigualdad en nuestras fronteras físicas y sociales. mientras que simultáneamente lo vincula con el internamiento previo de personas de ascendencia japonesa en la costa oeste durante la Segunda Guerra Mundial. Una versión más larga de esta exhibición se abre en JANM del 1 de febrero al 29 de marzo de 2020. Gallery Kitai presenta al artista japonés de pintura en tinta Sogen Chiba, quien demostrará el oficio de la pintura a tinta. El Proyecto Ukiyo-e exhibirá impresiones japonesas de Ukiyo-e y mostrará cómo están hechas. También se exhibirán varias galerías de Japón y Corea del Sur. FM Fine Art presentará una serie de pinturas del artista coreano Choi Young Wook. 1201 South Figueroa St. Try [email protected] para detalles.

Tatsuo Miyajima tiene su primera exposición individual en más de dos décadas en los Estados Unidos con « Keep Changing, Connect With Everything, Continue Forever », una presentación de cuatro obras basadas en la luz. Las piezas son silenciosas, objetos vívidamente brillantes hechos de números LED y tecnología informática que evocan mundos profundos e infinitos de ser, espacio y tiempo. Hasta el 19 de abril de 2020. Museo de Arte de Santa Bárbara. 1130 State St. 805-969-4364 o visite sbma.net.

El Museo de Arte del Condado de Orange tiene la Temporada 3 – Seis exhibiciones de obras de artistas contemporáneos de Pacific Rim en exhibición hasta el 22 de marzo de 2020. En esta mezcla se incluyen espectáculos de los siguientes artistas. « Paisaje eterno » de Yang Yongliang. Influenciado por la tradición china de la pintura de paisajes, este artista residente en Shanghai utiliza los medios de la película, la fotografía y la realidad virtual para crear paisajes de la mente. « Efecto » es una instalación de Robert Zhao Renhui, un artista visual de Singapur que trabaja principalmente con la fotografía, pero a menudo adopta un enfoque multidisciplinario, presentando imágenes junto con documentos y objetos. « Un hombre, un monstruo y el mar » de Mulyana. Este artista de fibra de Indonesia trabaja con pompones de hilo y formas tejidas de material cosido para evocar imágenes de la vida marina del sudeste asiático. 1661 W. Sunflower Ave. en South Coast Plaza Village, Santa Ana, CA. 714-780-2186 o pruebe ocmaexpand.org.

El Museo Nacional Japonés Americano tiene los siguientes espectáculos: « Bajo una nube de hongo: Hiroshima, Nagasaki y las bombas atómicas » estará en exhibición hasta el 7 de junio de 2020. Incluirá artefactos de víctimas de bombas « A ». « Un terreno común: el corazón de la comunidad ». Esta exposición general de la historia japonesa estadounidense está en curso. On view through March 29, 2020 is Taji Terasaki’s installation entitled “Transcendients: Heroes At Borders”. 100 N. Central Ave. En los angeles. 213-625-0414 or go to http://www.janm.org.

The Freer/Sackler Gallery on the Smithsonian Mall has the following. “Xu Bing: Monkeys Grasp for the Moon” is ongoing. “Sacred Dedication: A Korean Buddhist Masterpiece” puts on view a thousand-year old guilded wood statue of the Korean bodhisattva of compassion through March 22, 2020.  202-633-1000 or go to FreerSackler.si.edu for details.

The Metropolitan Museum of Art has the following –    ”Children to Immortals: Figural Representation in Chinese Art” through Feb. 23, 2020.  “Kyoto: Capitol of Artistic Imagination” is on view through August 2, 2020.  “Sita And Rama: The Ramayama in Indian Painting” remains on view through August 23, 2020. 1000 Fifth Ave. New York, New York. Go to metmuseum.org for details.

The Rubin Museum of Art has the following shows – A multi-media group show entitled “Measure Your Existence” curated by Christine Starkman features work by Felix Gonzalez-Torres, Shilpa Gupta, Teh Ching Hsieh, Meiro Koizumi, Lee Mingwei and Taryn Simon. Lee Mingwei gives a “Brainwave” talk as part of the show on Feb. 29, 2020 at the museum. The show opens Feb. 7 and closes on August 20, 2020. “Shahidul Alam: Truth to Power” is a new show by this Bangladeshi photographer who looks at the global South.  On view  through May 4, 2020.  “Charged with Buddha’s Blessings – Relics from an Ancient Stupa” is on view through June 8, 2020.  “Masterworks of Himalayan Art” is on view through March 23, 2020.     “Gateway to Himalayan Art” is on view through June 8, 2020.  “Shrine Room Projects” includes work by Shiva Ahmadi, Genesis Breyer _-Orridge & Tsherin Sherpa up until Sept. 14, 2020 and “The Tibetan Buddhist Shrine Room” on view until Sept. 27, 2021. 150 W. 17e St. New York, New York.  212-620-5000×344 or go to rubinmuseum.org.

The Japan Society has the following –   Opening March 6 and remaining on view through June 14, 2020 is “Boro Textiles: Sustainable Aesthetics”. This exhibit looks at Boro (“rags” or “tatters”)  which are patchwork textiles hand-pieced by peasants in Tohoku. The inability to cultivate cotton in the North necessitated the practice of stitching remnants of used fabric into utilitarian items. From the collection of Dr. Chuzabura Tanaka on loan  from the Amuse Museum. Augmenting the exhibit are portrait photographs of people wearing the clothes by Kyoichi Tsuzuki and contemporary examples by Suan Cianciolo and Christina Kim. 333 East 47e St. New York, New York. 212-263-1258.

Fashion designer Anna Sui who grew up in Detroit but found fame in New York gets a retrospective show entitled “The World of Anna Sui” at the Museum of Arts & Design. It is on view now through Feb. 23, 2020. 2 Columbus Circle in Manhattan. 212-299-7701 or go to madmuseum.org.

The Museum of Chinese in America has the following –  “Gathering, Collecting And documenting Chinese American History” and “The Chinese Helped Build the Railroad – The Railroad Helped Build America”. Both shows are on view through March 22, 2020. 215 Centre St. New York, NY. 855-955-MOCA or go to mocanyc.org.

MoMA (Museum of Modern Art) has a comprehensive renovation which will include more ethnic artists and women of color when it re-opens in October 21, 2019. It includes a show of Haegue Yang’s kinesthetic sculptures. 11 West 53rd St. Go to moma.org for details.

The Asia Society Museum in New York presents the following – “The Art of Impermanence: Japanese Works from the John C. Weber Collection and Mr. And Mrs. John D. Rockefeller 3rd Collection” on view from Feb. 11 – April 26, 2020. To find out more, go to AsiaSociety.org/NY. 725 Park Ave.  New York City, New York. 212-327-9721 or go to www.asiasociety.org for more details.

“To See From A Distance” is the first major retrospective on the work of Chinese artist Guo Fengyi.  Her intricate ink drawings reference Chinese mythology, traditional medicine and the philosophy of the I Ching.  Feb. 14 – May 3, 2020.  At the Drawing Center at 35 Wooster St. in New York City. +1-212-219-2166  or try www.drawingcenter.org.

The work of Roger Shimomura is included in a group show at the American Academy of Arts And Letters. Every year, over 100 artist  nominees working in various media are submitted by members to be represented in this show. Art And Purchase Awards will be selected from this exhibition and works will be donated to museums across the country. On view during  March/April of 2020. 633 West 155e St. 212-368-5900.

“Art Deviation” is a solo show of painting and video by multi-media New York-based artist Nina Kuo on view in the lobby of Flushing Town Hall from Feb. 19 – March 1, 2020. There is a “Free Nite” event with videoscape & music screening with the artist on Friday, Feb. 21 from 5 – 7pm. 137-35 Northern Blvd. in Flushing, New York.

Yto Barrada and Michael Wang have site-specific installations at The Lower Manhattan Cultural Council on Governor’s Island starting on Sept. 19, 2019.  Go to lmcc.net for details.

The Noguchi Museum has the following –  “Noguchi: Body-Space-Devices” looks at how the artist implicates his body in his work.  Artist Brendan Fernandes has made a version of Noguchi’s non-rocking rocking chair that Noguchi created for Martha Graham’s “Appalachian Spring” dance piece.  Dancers will perform with the chairs and Noguchi’s sculpture throughout the exhibition.  On view through May 3, 2020.  “Models For Spaces” on view through Feb. 2, 2020 offers a selection of designs from lesser known projects.  “In Search of Contoured Playground” on view through Feb. 2, 2020 has a design for a never built Noguchi playscape, a 10 foot square enlargement of Noguchi’s model.  9 – 01 33rd Rd, Long Island City, NY. 718-204-7088.

The work of multi-media artist Yayoi Kusama is as popular as ever. At age 90, she continues to work and produce new work at an amazing rate. “Kusama: Cosmic Nature” is a mix of old and new works that will be displayed inside and out at the New York Botanical Garden in the Bronx. It will be on view starting May 2, 2020 and will be up for six months. It will include a monumental site-specific pumpkin sculpture as well as a display of her sketchbooks. Tickets for this go on sale in January.

The Asia Society of New York has announced that over 40 artists and collectives from 19 countries have been selected to participate in the inaugural Asia Society Triennial, a multi-venue festival of art, ides and innovation entitled “We Do Not Dream Alone”. The exhibition will be open to the public on June 5, 2020 at Asia Society Museum as well as multiple locations throughout the city. Co-curated by Boon Hui Tan Vice President of Global Artistic Programs and Director of Asia Society Museum, and Artistic Director of the Triennial and Michelle Yun, Senior Curator of Asian Contemporary Art and Associate  Director of the Triennial. Nearly half of the artists of various disciplines have been commissioned to create new work, many of which are site specific.  A range of interdisciplinary programs will be held in conjunction with the Asia Soceity Triennial ranging from film, music and food and will address the global challenges of refugees and migration, artificial intelligence and environmental concerns. The Asia Society is located at 725 Park Ave. For details on exhibition events, go to AsiaSociety.org/triennial.

The Freer Gallery on the Smithsonian Mall in Washington D.C. has a major exhibition entitled “Hokusai: Mad About Painting” on view through Nov. 8, 2020. The museum has one of the largest collections of this artist in the world including paintings, sketches and drawings. So vast is this collection that the exhibition will be rotated mid-course. Jefferson Drive at 12e St. S.W.

The Sackler Gallery on the Smithsonian Mall in Washington D.C. has two major exhibitions worth noting. Tomioka Tessai was one of the last great Japanese brush painters whose career crossed over into the 20e century but his roots go back to the great Chinese literati painting tradition. “Meeting Tessai – Modern Japanese Art From the Cowles Collection” is on view from March 28 – August 2, 2020. Now on view through Oct. 25, 2020 is “Age Old Cities: A Virtual Journey from Palmyra to Mosul”. Now that the Middle East, long thought of as one of the cradles of civilization is in the news everyday, it couldn’t be a more timely occasion to take note of this exhibition. Visitors will journey to three cities in the Middle East – Palmyra and Aleppo in Syria and Mosul in Iraq in this virtual exhibition organized by the Arab World Institute, Paris and created in collaboration with UNESCO. The exhibit includes large-scale projections and digital reconstructions of iconic monuments and ancient structures under danger from war. 1050 Independence Ave. S.W. in Washington, D.C.

Museum of Fine Arts Boston has the following – “Conservation In Action: Japanese Buddhist Sculpture In a New Light” is a rare look at the conservation of seven Buddhist sculptures.  On view through June 30, 2020.   “Weng Family Collection of Chinese Painting: Family And Friends” celebrates a landmark gift of Chinese art and is on view through August 9, 2020. 465 Huntington Ave.  Go to mfa.org or call 617 -267-9300.

The Institute of Contemporary Art, Boston has the following –  “Yayoi Kusama: Love Is Calling” is the most immersive and kaleidoscopic of this internationally know Japanese artist’s Infinity Rooms.    On view through  Feb. 7  2020.  A companion show to this includes “Beyond Infinity: Contemporary Art After Kusama” in which 15 works in various media by the artist throughout her career will be shown along with works by her contemporaries.  25 Harbor Shore Drive. 617-478-3100 or go to [email protected] para detalles.

“Power in S.E. Asia” is ongoing.  “Sacred Dedication: A Korean Buddhist Masterpiece” is on view through March 22, 2020.  “My Iran: Six Women Photographers” is on view through Feb. 9, 2020. “Resound: Ancient Bells of China” through July 5, 2021. All at the Freer/Sackler Gallery on the Smithsonian Mall in Washington D.C.

The Peabody Essex Museum has the following –   “Mega City: India’s Culture of the Streets” on view through June 28, 2020. On view through May 17, 2020 is “A Lasting Memento: John Thomson’s Photographs Along the River Min”.  Scotsman John Thomson is considered to be one of the first photographers to document East and South Asia.  This exhibit takes us back to an earlier time.  It features more than 40 landscapes, city views and portrait studies.  The show is complemented by a selection of photographs by contemporary artist Luo Dan who was inspired by Thomson to undertake his own journey in Southwestern China in 2010.  161 Essex St. in Salem, Massachusetts. 816745-4876 or go to pem.org.

The Minneapolis Institute of Art has the following –  “Captive Beauties: Depictions of Women in Late Imperial China” through July 19, 2020. “Abstract Prints by Hagiwara Hideo” through Dec. 6, 2020. “Nguyen Trinh Thi: Fifth Cinema” through Feb. 17, 2020. “Yoshiteshi: Master Draftsman Transformed” on view through April 12, 2020. “Romance And Heroism: Theatrical Robes from Late Imperial China” through April 19, 2020. “All Flowers in Bloom: Porcelains from China’s Last Dynasty” through May 17, 2020. Minneapolis Institute of Art.  2400 Third Ave. S. Call toll free at 888-642-2787.

The Art Institute of Chicago presents the following – “Egoyomi: Picture Calendars for the New Year” remains on view through Feb. 23, 2020. “Noda Tetsuya: My Life in Print” is on view Feb. 29 – June 21, 2020. “Diary” is a series the Japanese printmaking pioneer has continued on a daily basis up to the present and now numbers over 300. This exhibit marks the largest presentation of the artist’s work in North America. There will be a talk about the artist led by educator Nancy Chen on March 11, 2020 at noon. 111 South Michigan  Ave. /159 E. Monroe in Chicago. 312-443-3600.

The late Nam June Paik  was known as the “Father of Video Art” and a recent retrospective (now at the Tate Modern) comes to the United States later this year. This five decade overview of his multi-media career will be on view from Nov. 7, 2020 – Jan 17, 2021 at the Museum of Contemporary Art in Chicago. 220 E. Chicago Ave. 312-280-2660.

“Invisible Cities” is the title of a double- venue exhibition of Beijing-based artist Liu Wei in Cleveland. It marks the first US exhibition for this multi-media artist specializing in architectural geometries.  One show is at the Museum of Contemporary Art through January 5, 2020.  Go to mocacleveland.org for details. The second show is on view through Feb. 16 2020 at Cleveland Museum of Art at 11150 East Boulevard.  216-421-7350 or  try clevelandart.org.

“Form is Emptiness, Emptiness is Form” is a show of wooden and metal works by Miya Ando. The materials are manipulated in  such a way by the artist that it asks the viewer to consider time and the pervasiveness of change. On view through  March 29, 2020. At Asia Society Texas  located at 1370 Southmore Blvd. in Houston, Texas. 712-496-9901.

“Waking Dream” includes major works by Do Ho Suh and Christian Marclay on view through 2022.  Suh’s work is a major sculptural recreation of the apartment he rented when he lived in London.  A piece by Maya Lin is also on view. At Ruby City located at 150 Camp St. in San Antonio, Texas. Go to Rubycity.org.

Anila Quayyum Aghai, a Pakistani American artist has a show entitled “Between Light And Shadow” in which she mimics the shadows as seen in the intricately pierced screens of Islamic and Middle Eastern architecture.  On view  through Feb. 9,  2020. Toledo Museum of Art  at 2455 Monroe St.  in Toledo, Ohio.  419-255-8000 or try toledomuseum.org.

The Nikkei National Museum & Cultural Centre in Burnaby BC Canada has undergone some renovation and restructuring and presents a show entitled “Nikkei” which juxtaposes archives and artworks and includes stories, personal items, digitized “heritage” film footage and Cindy Mochizuki’s video installation to examine what it means to be a person of Japanese ancestry.  6688 Southoaks Cres. 604-777-7000. Go to centre. nikkeiplace.org.

A retrospective of over 200 works  by the Korean American inventor of video art, Nam June Paik through Feb. 9, 2020.   At The Tate  Modern in London.  Bankside in London.  +44 (0) 20-7887-8888  or go to tate.org.uk.

The Tate St. Ives has a show by Haegue Yang from May 22 – Sept. 6, 2020.  Porthmeor Beach, St. Ives, Cornwall, England.  Go to tate.org.uk for details.

Japan House in London has the following – “WOW – City Lights and Woodland Shade, Digital Art Encounters with Japan” through March 23, 2020. 101-111 Kensington High St. 44-20-3972-7100 or try [email protected].

“The Appeal of Ko-Imari And Nabeshima” is on view through March, 2020. These two decorated styles of ceramics cherished by powerful rulers that eventually gained global impact are explored. Idemistsu Museum  of Arts, Moji. 2-3 Higashi-Mina Tomachi, Mojiku, Kitakysushu,  801-0853 Fukuoka Prefecture, Japan.

“Gardens” by Akiko Ando is on view through Feb. 23, 2020. Ando is a commercial illustrator and clothing designer who has worked in watercolor and collage as well. This show marks her first attempt at depicting miniature gardens. Lee Saya Gallery. 3-14-2, Shinomeguro, Meguro-ku, Tokyo 153-0064 Japan. 03-6881-4389.

National Museum of Modern Art, Kyoto has the following – “Forms of Memory and Space: Nino Caruso, Giant of Contemporary Italian Ceramics” through  Feb. 16, 2020 and “100 Years of Czech Design” from March 6 – May 10, 2020.  Go to www.momak.go.jp/english/.

“Domani: The Art of Tomorrow”  is on view through Feb. 16, 2020. This always interesting group show presents work of young Japanese artists who do work through Japan’s Agency for Cultural Affairs Program of Overseas Study for upcoming Artists. The theme for this year is “Landscapes in Our Age: Scarred and Reborn” in which the artists look at nature in the aftermath of natural/man-made disasters. National Art Center, Special Exhibition Gallery 2E,  7-22-2 Roppongi, Minato-Ku, Tokyo 106-8558 Japan. +81(0)  3 – 5777-8600 (Hello Dial).

“Art Trip Vol. 3: in number, new world” on view through Feb. 9, 2020. Four artists present works on the theme of numbers. Work by Norio Imai, Tsuyoshi Hisakado, Michiko Tsuda and Yuta Nakamura. Ashiya City Museum of Art & History. 12-15 Isecho, Ashiya, Hyogo 659-0052 Japan. +81-797-38-5432.

After four years of reconstruction, the Artizon Museum of Art (formerly Bridgestone Museum of Art) has reopened. Their first show “Inaugural Exhibition, Emerging Artscape: The State of Our Collection” is on view but more importantly, Japanese artists who worked in the Western oil painting tradition. 1-7-2 Kiyobashi, Chuo-ku, Tokyo near Tokyo Station.  03-5777-8000.

“Color Magic: From the Taguchi Collection and Ando Collection” on view through March 22, 2020. Based on color and form and drawn from two major collections of this museum.  The Museum of Fine Arts, Gifu.4-1-22, Usa, Gifu, Gifu Prefecture, Japan. +81 58-271-1313.

The National Museum of Modern Art Osaka presents  “Impossible Architecture – The Architects’ Dreams” which looks at designs by architects that somehow for some reason never got built. Through March 15, 2020. “Collection: The Aesthetics of Contemporary Japan” is on view through March 15, 2020.  4-2-55 Nakanoshima, Kita-ku, Osaka. Go to nmao.go.jp for details.

The Museum of Oriental Ceramics has the following –   “Japanese Bamboo Art from New York: The Abbey Collection, Gifts to the Metropolitan Museum of Art” is on view through April 12, 2020.  1-1-26 Nakanoshima, Kita Ku in Osaka. 81-06-6223-0055 or go to moco.or.jp.

Tokyo Opera City Art Gallery has the following shows.   Now through March 22, 2020 includes shows by Kazuo Shiraga, “Pietas” group show and “Ulala” by Imai.  3-20-2 Nishi-Shinjuku, Shinjuku-ku, Tokyo, Japan.  +81- (0)3-5353-0756.

National Museum of Modern Art, Tokyo has the following – A show by Peter Doig, an internationally recognized Scottish painter of landscapes and portraits. 1-1 Kitanomaru-koen, Chiyoda-ku, Tokyo, Japan. +81 3-5777-8600.

The Mori Art Museum has the following – A show tentatively entitled “The Future And Arts” is set for Nov. 19, 2019 – March 29, 2020.  T106-6108, Tokyo, Minato City, Roppongi, 6 Chome – 10-1 Japan.  +81-3-5777-8600.

“teamLab*Borderless” houses works by this hi-tech art group in the Mori Building Digital Art Museum.  With computer-graphic  projections of animals, plants and objects from nature to light sculptures and a forest of lamps.  On view indefinitely.  Aomi Station, Odaiba, Tokyo, Japan.  03-6406-3949.

The Seattle Asian Art Museum is reimagined, reinstalled and newly renovated and extended.  It reopens on Thursday, Feb. 8, 2020.  Tickets to opening events will be available online starting in December of 2019.  New features include improvement to critical systems, expanded gallery and education spaces and a new park lobby that connects the museum to the surrounding Volunteer Park.  Instead of dividing cultures by country alone, works of art from different countries will be on display side by side. Opening shows include “Boundless: Stories of Asian Art” and “Be/longing: Contemporary Asian Art.”  A free weekend long celebration is planned for Feb. 8 & 9, 2020 from 9am – 9pm with performances, art making, tours and live music.  An interactive map and digital art activities in every gallery will get the viewer involved.  A new Asian Paintings Conservation Center is planned the future on the grounds.  New additions include a community gallery and community meeting room.

Kudos to K-pop band BTS for underwriting a series of global arts projects that will feature 22 artists. Interdisciplinary works will be on view in 5 cities in early 2020 alone. All will be free to the public. The shows, part of “Connect BTS” are coordinated by lead curator Daeh Yung Lee and a team of international curators. Lee said “the works and artists involved will offer diverse responses to the world around us.” BTS in a statement said “This project is especially meaningful to us because it truly represents diversity and creates a collective, positive message for the world that we value.”

The Museum of Chinese in America recently had a fire in its storage facility.The museum started in the 1970s as the Chinatown History Project created by community activists Charles Lai and John Kuo Wei Tchen. It was initially believed that most of its priceless 85,000 piece collection telling the story of Chinese migration to the United States was lost. But in the weeks following, to the relief of many, it was revealed that the first batch of boxes taken out of the building though water-damaged were salvageable. The building was a former public school that educated immigrant children for many decades and had recently been used to host community groups, nonprofits, a dance studio, and a senior center.  The Museum collection includes donated items such as letters, documents, newspapers, family albums, clothing, restaurant menus and many miscellaneous items owned by generations of immigrants. The Museum was in the process of digitalizing many of these items before the fire. Community support has been good with many people offering to donate more items to the collection. The Museum itself remained undamaged.

Las artes escénicas

Seattle’s Book-It Repertory Theatre brings to the stage “The Turn of The Screw” by Henry James. Adapted by Rachel Atkins and directed by Carol Roscoe with Nabilah S. Ahmed and Rheanna Atendido in the cast. This classic ghost story tells the story of a young governess in charge of taking care of two angelic children. Soon, however, two sinister and supernatural specters cast a shadow over the trio. Feb. 12 – March 8, 2020. At The Center Theatre located at 305 Harrison in Seattle Center near the Armory. 206-216-0833 or try [email protected]

The Triple Door has the following –  Plan ahead for two evenings with Japanese jazz piano stylist Hiromi who comes to the club on March 9 & 10 at 7:30pm. 216 Union St. 206-838-4333 or try thetripledoor.com

Local actress Sunam Ellis won a Gregory Award for “Best Supporting Actress” in Seattle Public Theatre’s production of “Hand To God” back in 2018. Catch her on stage again when she stars as playwright Olympe de Gouges in a new play about four fierce women in 19e century Paris entitled “The Revolutionists” by Lauren Gunderson. The rest of the cast includes Jonelle Jordan, Dedra Woods and Hannah Mootz.  It’s directed by Kelly Kitchens and  runs through Feb. 9, 2020 at Arts West. 4711 California Ave. SW in West Seattle. Go to www.artswest.org para detalles.

With the new year here, one sees a number of lunar new year celebrations. Here are a few. On Feb. 8, 2020 there are two new years celebrations. APCC holds their 22nd Annual New Year Celebration featuring “Vietnam, Country And Culture” at Tacoma Dome Exhibition Hall from 11am – 6pm (go to asiapacificculturalcenter.org for details). While, back in Seattle, there is a Lunar New Year Celebration at Hing Hay Park from 11am – 4pm at 423 Maynard Ave. S. in the CID. On Feb. 15, 2020, there is a “Seattle Night Market: Lunar New Year” celebration at Magnuson Park Hangar 30 from noon to 10pm. 6310 NE 74e St.

Desdemona Chiang directs a new take on this children’s classic “Snow White” by Greg Banks. Feb. 6 – March 15, 2020 at Seattle Children’s Theatre. 201 Thomas St. 206-441-3322.

From Feb. 21 – 29, the 3rd Annual Seattle International Dance Festival directed by Cyrus Khambatta, Jaewoo Jung and Kyoung-shin Kim takes place at Capitol Hill’s Erickson Theatre across from Seattle Central Community College at 1524 Harvard .  This is SIDF’s Winter Mini-Fest  which always includes Seattle’s Khambatta Dance Company (the Festival’s sponsor) with a special guest. This year’s guest is “Unplugged Bodies” from Seoul, South Korea. Concerts at 8pm on two weekends, Feb. 21 & 22 and Feb. 28 & 29, 2020. Go to seattleIDF.org for details.

Bob Antolin’s jazz group, “Comfort Food” performs at Rumba Notes Lounge on Friday, Feb. 28, 2020 from 10pm – 1am. 5041 Rainier Ave. S. 206-755-0568. For more information, go to reverbnation.com/comfortfood.

Future Seattle Opera productions include the following –  “Charlie Parker’s Yardbird – The Man Behind A Legend” with music by Daniel Schnyder and libretto by Bridgette A. Wimberly.  Plays Feb. 22, 23, 26, 29 AND March 1, 4, 6 & 7, 2020.  Kelly Kuo will make his Seattle Opera debut as conductor for the orchestra for this production. Andrew Stenson will play the role of Beppe in “Pagliacci”. Seattle Opera brings a production of “Pagliacci & Cavalleria Rusticana” to stage in August. Small town lives are turned upside down when a returning soldier and a vengeful clown upset provincial norms, resulting in shocking crimes of passion. Guy Montavon’s new production transforms the public square of Southern Italy into a mask-filled arena with eye-catching costumes. August 8, 9, 12, 15,16,  19, 21 & 22, 2020. And looking even further ahead, Seattle Opera brings the modern opera “Flight” with music by Jonathan Dove and a libretto by April De Angelis to the stage Feb. 27 28, March3, 6,7,10, 12, & 13, 2021. David Dq Lee performs the role of the Refugee, Karen Vuong takes on the role of Tina and Viswa Subbaraman makes his Seattle debut as conductor. Production Designer on this opera will be David Murakami. The opera is based on actual events and tells the story of a stateless refugee’s 18-year forced residency at a European airport as an omniscient air traffic controller watches over a departure longue bustling with a varied cast of characters. An excitable couple on vacation, an Eastern European diplomat and his wife and a mysterious older woman all wait out a storm as the refugee plays cat and mouse with an immigration official. Available  for purchase as part of a season ticket package. Individual tickets go on sale May 27, 2020. For complete details on all the shows, go to seattleopera.org.

North Corner Chamber Orchestra’s solo performances by cellist Carson Ling-Efird and bassoonist Teddy Zhang are featured in their winter program entitled “Through The Glass” on Feb. 23, 2020 at 7:30pm. Seattle Town  Hall at 1119 – 8e Ave.  206-652-4255.

Seattle Symphony begins a new season under new conductor Thomas Dausgaard.  Some highlights include the following –    Yundi was the youngest pianist to win the International Chopin Piano Competition at the age of 18. Now he embarks on his 2020 Piano Recital World Tour with a stop in Seattle on Monday, Feb. 17, 2020 at 8pm.  The classical  string trio “Time For Three” ( Ranaan Meyer on double bass, Nick Kendall on violin and Charles Yang on violin) performs with the Seattle Symphony on Feb. 18, 2020 in an evening of Americana, pop and classical. The annual “Celebrate Asia” concert has Tianyi Lu conducting and Gaurav Mazumdav on sitar and Conrad Tao on piano in a  program of compositions by Huang Ruo, Reena Esmail, Conrad Tao and Gershwin.  Sunday, March 8, 2020 at 4pm.  Eun Sun Kim conducts the orchestra with Elisa Barston on violin in Tchaikovsky’s “Symphony No. 8” on March 12 & 14 with a special “Tchaikovsy Untuxed” concert on March 13. For lovers of the Joe Hisaishi composed soundtracks to the films of Hayao Miyazaki, look no further. “Joe Hisaishi Symphonic Concert: Music From The Studio Ghibli Films of Hayao Miyazaki” comes to Benaroya Hall April 9 – 11, 2020.  Pianist Aimi Kobayashi participates in “Bach Fest 1” on May 21 with conductor Ryan Bancroft and fellow pianist Alexandra Dovgan.  All concerts at Benaroya  Hall in downtown Seattle.  200 University St.  Go to seattlesymphony.org for details or call 206-215-4747.

Named in honor of Seattle philanthropists James & Sherry Raisbeck who donated money to transform the former Soundbridge at 200 University across from SAM into a state of the art immersive environment for inventive performances and ideal for education programs and community engagement, the building is now called Octave 9:Raisbeck Music Center.  Some highlights from their innovative concert and educational programming include the following – On April 24, 2020 at 7:30pm, Hannah Lash & Hub New Music join forces to present music for flute, clarinet, violin, cello and harp.  A new composition by Takuma Itoh will be performed.

Seattle-bred, Brooklyn-based brass quartet The Westerlies return home to present the second annual Westerlies Fest, a multi-day music festival Feb. 6 – 9, 2020. Members of the group include Riley Mulherkar, Chloe Rowlands, Andy Clausen and Willem de Koch. The event includes guest artists, Sarah Kay & Phil Kaye, Celisse, Robin Holcomb and spoken word poet Troy Osaki. Besides evening performances, there will be an all-day open-to-the-public creative music jamboree, workshops in local schools with a residency in Highline Public Schools. The Westerlies hope to give back to the musical ecosystem that raised them by engaging local students, highlighting local talent and facilitating explosive collaborations between artists from Seattle and beyond. Troy Osaki will perform alongside poets Phil Kaye & Sarah Kay on Feb. 8, 2020 at 7:30pm with the Westerlies. Town Hall Seattle is at 1119 – 8e Ave. For a full schedule of events, go to www.westerliesfest.org.

Ocampo/Wang Dance Company out of New Jersey brings a world premiere of a new piece along with other guest choreographers from around the country to “Chop Shop: Bodies of Work”, an annual contemporary dance festival set for Feb. 15 at 7:30pm & Feb. 16 at 3pm, 2020 at the Eastside’s Meydenbauer Center.  11100 NE 6e St. in Bellevue. Tickets available at brownpapertickets.com. For more information, try chopshopdance.org.

ArtsWest has also announced their new 2019/2020 season entitled “Agents of Change” which looks at revolutions and the people who participate in them.  The prolific and talented playwright/director/actress Sara Porkalob returns with a new play and a world premiere for the new season.  “Alex and Alix” looks at the unseen forces that shape the way we remember love and a moving meditation on memory, trauma and healing.  Two women in love  and one name.  Set for  April 30 – May 24, 2020.  Learn more details about the entire new season at artswest.org.  ArtsWest is located in West Seattle at 4711 California Ave. SW.

Café Nordo has already announced their upcoming 11e season entitled “Where The Tea Party Never Ends” and early memberships are available.  Come watch as they spin their interesting mix of original theatre, music and cuisine tailored to fit the theme of each production.  The ever  prolific Sara Porkalob is back with “The Angel in the House” from Feb. 8 – March 15, 2020.  She wrote and directed this piece that’s a Victorian thriller with corsets, blood, revenge and cake.  “Night Parade: The Ghost Forest” takes place   June 13 – July 21, 2020.  Conceived of and Directed by Tom Dang and written by Kendall Uyeji.  Take a dive into Japan’s Aokigahara Forest near Mr. Fuji, famous for suicides. When a Western blogger mockingly posts a photo of a suicide on social media, he is spirited away by ghosts and demons of that forest.  Café Nordo is at 109 South Main. Go to www.cafenordo.com to find out more about their new season and how you can get tickets. APCC is at 4851 South Tacoma Way in Tacoma. 253-383-3900 or go to apcc96.org.

Live Nation presents Hayley Kiyoko’s “I’m  Too Sensitive For This X – North American Tour 2020” at Showbox Sodo on March 8, 2020 at 8pm. 1700 1S t Ave. S. 206-652-0997.

“Pakistan Another Perspective” is the title of a talk by motorcycle traveler Dionne Haroutunian as presented by the Friends of Asian Art Association. Join Haroutunian as she shares her Pakistan adventures through days of high desert dirt-riding at “high speed” on the Karakoram Highway to the Chinese border on the “Road of Death” and everywhere else in-between. On March 15, 2020 at Skyline Retirement Center on Capitol Hill at 2pm. Members are $15 and non-members, $20. Limited free parking available (Enter garage on Columbia St. between 8e & 9e Ave. Park in “Staff Permit” or “Visitor” parking spaces.)  725 Ninth Avenue. To register, go to https://www.friendsofasianart3.org.

The Showbox presents Dabin in his “Into The Wild” Tour on Sat., April 4, 2020 at 9pm.  206-618-3151 or go to www.showboxpresents.com. This JUNO nominated music producer/instrumentalist from Toronto presents an evening of electronic music. The Showbox at 1426 – 1S t Ave  in downtown Seattle.

“First Sundays” is the title of a concert series of jazz and classical music held at Bainbridge Island’s Waterfront Park Community Center from January through spring. Concerts start at 4pm. On April 5, former Puget sound resident Frank Huang returns from Ohio to perform a classical piano concert. 370 Brien St. SE on Bainbridge Island. For details on the whole series, go to firstsundaysconcerts.org.

The Meany Center For The Performing Arts has announced their 2019/2020 season. Some performers include the following – David Finckel & Wu Han perform with Philip Setzer in a program of Beethoven, Shostakovich and Mendelssohn on Mon., May 18, 2020 at 7:30pm.  Concert pianist George Li plays a recital of Haydn, Schubert, Ravel and Schumann on Wed., April 19, 2020 at 7:30pm.    Meany Center is located on the Seattle campus of the University of Washington.  206-543-4880 or go to meanycenter.org.

The Wind Ensemble with Donna Shin on flute prepare for a Korea tour with a concert on Thursday, March 12 at 7:39pm. 7:30pm.  Kathryn Alvord  Gerlich Theater at Meany Hall. Go to music.washington.edu for details.

Caracol Productions presents  the following – “Just a Phase: A QT/POC variety show” with comedy and more set for Valentine’s day, Feb. 14, 2020 at 10pm at the Jewelbox Theatre at the Rendezvous at 2232 2nd Ave. in Seattle. “Seventy-Nine Cents: an all womxn comedy show on Friday, March 3, 2020 at 9:30pm at the Rendezvous in Seattle. “Women are still making 79 cents on a man’s dollar. Black & indigenous womxn make even less. Don’t you need a laugh after hearing that?” “Model Minority – An Asian Womxn Comedy Show” on April 25, 2020 at 7pm at Columbia City Theater.  Go to www.caracolcreative.com/comedy-shop for tickets and details.

Indian virtuoso percussionist Zakir Hussain comes to Seattle for his annual concert with Kala Ramnath and Jayanthi Kumaresh on March 28, 2020.  Presented by STG. For details, try stgpresents.org/season or call 206-812-1114.

The Edmonds Center for the Arts has the following – The International Guitar Night celebrates their 20e Anniversary Tour with a stop here on Wed., March 4, 2020 at 7:30 pm. Hawaiian slack key master Jim Kimo West is part of this group of global guitar luminaries.  “Masters of Hawaiian Music” brings guitar wizards George Kahumoku Jr., Nathan Aweau and Jeff Peterson in an evening of music from the islands.  Set for March 21 at 7:30pm. South Korea’s acclaimed Brush Theatre present a performance piece entitled “Yao Yao” which tells the story of a father who must go to work and the child left at home who wants him to stay. The troupe introduces a magical world of adventure and discovery with a playful blend of reality and imagination using screen art technology and live music. Part of the Edmonds Center for the Arts Education Matinee Series. On March 31 at 10am. For schools wishing to reserve tickets, contact [email protected] or call 425-275-9485.  ECA is located at 410 – 4e Ave. N. in Edmonds, WA. Info # is 425-273-9595.

“Asian Arts in Action” is a series of Asia-related performances and visual artists’ demonstrations presented by Seattle Art Museum throughout the year. Eurasia Consort performs a program entitled “The Wind in the Pines” on March 22, 2020 at 2pm in Seattle Asian Art Museum’s Stimson Auditorium. Founded by Tomoko Sugawara and August Denhard, this group presents music of the Silk Road, past and present. Music in this concert includes new compositions by Alice Shields and Bun-Ching Lam and music from the Tang Dynasty discovered in the Mogao Caves in Dunhuang, China. On April 10 at 7pm and April 12 at 2pm, Tasveer presents a new production of poignant stories using Eve Ensler’s “Vagina Monologues” as an inspiration. Narrated by South Asian women as part of Tasveer’s 15e Annual Aaina Festival. Held at Seattle Asian Art Museum’s Stimson Auditorium. May 14 at 6:30pm is “Makers’ Night” which takes place in the Seattle Asian Art Museum Education Studio. This is the beginning of a new summer series of monthly sessions for adults held on the 2nd Free Thursday evenings in sessions led by rotating artists. This session is led by  artist Juliet Shen who shares his personal videos of flowing water in northwest rivers and shorelines that inspire her experiments with ink on paper. Technique will emphasize using brush and ink to interpret from memory the lively contradicting movements of water currents observed in the videos. 206-654-3210 or  try visitsam.org/tickets. To stay up to date on SAM news, try the website, visitsam.org and select “Gardner Center”.

Emerald City Music stages a number of concerts in the Puget Sound area. The Aizuri Quartet present a program entitled “Songs & Echoes of Home” This all female string quartet makes their Emerald City debut with Ariana Kim on violin, Miho Seagiusa on vioin, Ayane Kozasa on viola and Karen Ouzounian on cello. They perform on Friday, Feb. 14, 2020 at 8pm at 415 Westlake in Seattle,  again on Sat., Feb. 15, 2020 at 512 Washington St. SE in Olympia at the Washington Center for the Arts and  again on Sunday, Feb. 16, 2020 at 4pm at Lairmount Manor at 405 Fieldstone Rd. in Bellingham under the auspices of The Bellingham Festival of Music. (Please note that the Bellingham venue does not sell tickets at the door, you must get advance tickets by calling 360-201-6621 OR try [email protected]) Another program entitled “What You Are To Me” is a  landmark collaboration between three national arts organizations. This season finale features a world-premiere by Philadelphia-based composer Patrick Castillo with three unique gems of the chamber music library. Performers are Kristin Lee and Sean Lee on violins, Dmitri Atapine on cello and Hyeyeon Park and Gloria Chien on pianos. Friday, May 1, 2020 at 8pm at 415 Westlake in Seattle  AND Sat., May 2, 2020 at 7:30pm at Minnaert Center in Olympia. 206-250-5510 or go to emeraldcitymusic.org for details.

Tacoma Arts Live presents a play entitled “Cowboy vs Samurai” by Michael Golamco June 4 – 21, 2020 at Theatre On The Square at 915 Broadway. The story is about a quartet of searching lovers who confront some Asian stereotypes of Ango America along with the self-image struggles of Asian Americans themselves, all the while trying to connect as whole people. 253-591-5894.

Olympia Symphony performs Beethoven’s Emperor Concerto with New York-based pianist Angie Zhang on March 15, 2020. On April 19, 2020 at 3pm, the Olympia Symphony returns with a program entitled “Da-Da-Da-Daaaah!” with Kristin Lee as guest soloist on violin performing Barber’s Violin Concerto. Washington Center for the Performing Arts at 512 Washington St. SE in Olympia. Tratar [email protected] for tickets.

The Changmu Dance Company from South Korea has transformed Korean dance through innovative choreography with poetry and its mastery of traditional forms.  They make their Portland debut on Wed., April 15, 2020 at 7:30pm.  Arlene Schnitzer Hall. 503-245-1600  for tickets.

Santa Fe Opera presents a new adaptation of David Henry Hwang’s “M. Butterfly” as an opera in this world premiere.  Music by Huang Ruo and libretto by the playwright.  Set for August of 2020.  Stars Kang Min Justin Kim, David Bizic and Hera Hyesang Park. Musical conductor is Xian Zhang.  301 Opera Drive in Santa Fe, New Mexico. 1-800-280-4654.

Seattle performance artist Susan Lieu has taken her show “140 LBS: How Beauty Killed My Mother” on the road for a national tour. Being pregnant hasn’t stopped her from doing all her own bookings and managing the tour herself with the help of family and friends. Ashley Lee of the Los Angeles Times covered her during her Southern California venues. In February, 2020, she’ll premiere an expanded version entitled “Over 140 LBS” back in Seattle. By then she’ll have performed over 50 shows in 10 different cities. ACTLab’s Solo Fest presents “Over 140 LBS” as its lead presentation with 3 other performance artists. Feb. 6 – 16, 2020. When her mother dies of plastic surgery malpractice, Lieu as an adult reaches out to the killer’s family and in the process uncovers the painful truth of her mother, herself and the impossible ideal of Vietnamese feminine beauty. 700 Union St. 206-292-7676 or go to acttheatre.org.

Seattle jazz musician Bob Antolin has been nominated for two 2020 Golden Ear Awards given out by Earshot Jazz as voted on by local area jazz fans and performers. He is nominated in the category of “NW Jazz Instrumentalist of the Year” and his band Comfort Food for “Alternative Jazz Group of the Year”. Congratulations, Bob! Awards will be given out on March 9, 2020 at the Royal Room. You can vote online at earshot.org, by email to [email protected] or by mail to Earshot Jazz, 3417 Fremont Ave. N. # 221, Seattle,WA 98103.

Eun Sun Kim made history by becoming one of the first female conductors hired by a major musical organization when she was hired  by San Francisco Opera. Now Music Director Designate Kim will open San Francisco Opera’s 2020-21 season with a gala concert featuring Albina Shagimuratovas and Pene Pati in September. In the same month she leads a new production of Beethoven’s “Fidelio” from Sept. 12 – Oct. 1, 2020. This monumental work of the composer’s only opera of love and liberty triumphing over corruption gets an insightful new staging by Director Matthew Ozawa. This American director’s father was born in a Japanese American internment camp during WWII so the opera is appropriately set within a government holding facility. San Francisco Opera is located at 301 Van Ness Ave. 415-864-3330 or try sfopera.com.

Baruch Performing Arts Center will present a work-in-progress presentation of “Siachen” April 20 – May 2, 2020 at Baruch Performing Arts Center in New York. The play is by playwright Aditya Rawal, a writer and actor from Mumbai, India. The story revolves around a post between Pakistan and India where three Indian soldiers wait for a helicopter rescue that shows no sign or arriving. For tickets/info., go to https://ci.ovationtix.com/1091/production/1014637.

Khori Dastoor who got her start as a professional singer at Opera San Jose 12 years ago has now been hired as its general director. She may be a harbinger of change for that company. Among her goals are increasing staffing levels, setting ambitious financial goals and seeking advice from the local tech community on how to attract new subscribers to the 36-year old company. She has added new wrinkles to the repertory as well. A first production of the Strauss opera “Salome”, a new production of Mozart’s “Marriage of Figaro” set in colonial India and Bizet’s “Carmen” done in  a dance-heavy collaboration with the Flamenco Society of San Jose. Dastor grew up in Pasadena, the daughter of an Indian father and Dutch mother. She made her debut as a soprano at Opera San Jose when she was just 26 so her hiring is a homecoming of sorts.

Film & Media

The local documentary film on “Fukitaro Kubota and His Garden” has already sold out two local screenings. Now people have a third chance to catch it. It screens on Feb. 21, 2020 at 1:30pm at The Lakeshore, a care facility at 11448 Rainier Ave. S. followed by a family member talk. Call 206-772-1200 to make your reservations.

Fathom Events brings a Japanese concert event to select Puget Sound theatres with “Love Live! Series 9e Anniversary LOVE LIVE! FEST”, a J-Pop concert filmed live at Saitama Super Arena in Japan. It features “Aqours” and “Saint Snow” from “Love Live! Sunshine!!”, “Nijigasaki High School Idol Club” from the newest game as well as “”U’s” from “Love Live!” not seen on stage since 2016. Screens on Wed., Feb. 25,2020 at 7pm at Lincoln Square Cinemas, Regal Crossroads 8, AMC Alderwood Mall 16, AMC Pacific Place 11, Regal Meridian 16, Regal Thornton Place 14, Point Ruston and AMC Southcenter 16. Go to www.FanthomEvents.com of participating box offices for tickets.

The Seattle Asian American Film Festival returns to Broadway Performance Hall at Seattle Central Community College and Northwest Film Forum from Feb. 20 – 23, 2020. See our print edition of the IE for full program of films/events or go to seattleaaff.org. Some of the films are free. You can buy advance tickets online. Some highlights –The opening night party at Washington Hall features dancing, live spoken word and hip hop performances emceed by Aleska Manilla. Slam poet G. Yamazawa from North Carolina and local favorite roguepinay/Katrina Pestano also perform. “Normal”, a feature film looks at the troubled relationship between a young married couple. Tim Tsai’s documentary film “Seadrift” (free) looks at the conflict in a Texas coastal town between old timers and the immigrant Vietnamese American fishermen. “A Southeast Asian Showcase” of shorts is on the program. “What Haunts You” is a free series of shorts on the paranormal, ghosts and other supernatural activity. “Queer AF” is another program of shorts in the offing. Another shorts series showcase is “Borders And Belonging” with the topic of immigrants and immigration. A locally produced documentary film “On The Brink” looks at the past history and future of  Seattle’s Central District, a community in transition. “Between Tides” is a documentary film of a Pacific island caught between two cultures. “Geography of Kinship” tackles the plight of Korean orphans and their search for identity and a sense of home. Another showcase of shorts with the title of “Family Portraits” will screen. “Empty by Design” is a feature film that looks at two estranged people who meet in Manila only to find out what they have in common is the feeling of never belonging anywhere. “The Illegal” tells the story of a young film student from India forced to drop out and work to support his family while in the US as an undocumented worker. “Song Lang” is a Vietnamese love story about the unlikely relationship between a Vietnamese traditional folk opera performer and a young thug enforcer. Another free shorts showcase under the heading of “Mastering The Craft” looks at how traditional art forms survive and are passed on across generations and continents. “Looking Past Paradise” is a showcase of shorts on the “real” Hawai’i. “Jeronimo” is a documentary about a pioneer activist, a Korean who fought in the Cuban revolution. “DirectHer: Films Made by Women” is another shorts showcase. “Born to Be” is a documentary film on plastic surgeon Jess Ting who works at Mt. Sinai Center for Transgender Medicine and Surgery. “Love Boat Taiwan” is a documentary film that looks at the complexity of Taiwanese American identity and how they relate to the country of their origins. “Happy Cleaners’ is a feature film about a Korean American family and how the troubled legacy of operating a dry cleaners is passed on from parents to children.

The Northwest Film Forum presents the following – The Annual Children’s Film Festival screening annually since 2005 returns with an all new line-up of films from over 40 countries Feb. 27 – March 8, 2020. Highlights include “The Cat’s Meow”, an opening night of shorts on cats from several countries including Japan and China. “Sun Circle : Films From Japan” curated by CFFS intern Amagai includes “Summer of the Ice Age” by Kiyomi Aoyagi, “Pickle Plum Parade” by Eri Sasaki, “Konigiri=kun Butterfly” by Mari Miyazawa, “Pen & Magic” by Ayako Kishi, “Jinja” by Talin Tanielian, “Engimon” by Koudai Sato and “Good Night” by Makiko Nanke. “Kings of Mulberry Street” by Judy Naidoo  from South Africa tells the story of what happens when two neighborhood boys in love with  Bollywood films unite to take on the local bully and crime boss? This feature film is set for March 7 at 5pm. Go to childrensfilmfestivalseattle.org for details on all the films. The Northwest Film Forum is at 1515 – 12e Ave. on Capitol Hill in Seattle. 206-329-2629  or try nwfilmforum.org.

Fathom Events brings to the Puget Sound two Japanese anime films, one new and one newly restored. Renowned Kyoto-based Japanese visionary anime director Masaaki Yuasa (“The Night is Short”) returns with a new film entitled “Ride Your Wave” which tells the story of a surf-loving college student who falls in love with a fire fighter who saves her from an apartment fire. When he dies at sea, Hinako is distraught. Then he reappears but is it only a temporary situation? Screens Feb. 19, 2020 at 7pm at Regal Meridian 16 AMC Pacific Place and Lincoln Square Cinemas. “Tokyo Godfathers” the acclaimed holiday classic by the late director Satoshi Kon returns to theaters in a brand new restoration with an all new English dub version as well in March. This film tells the story of three Tokyo street people who find an abandoned baby and take turns trying to find her parents and in the process, find themselves. The English sub-titled version screens on Monday, March 9 at 7pm and the English language dubbed version screens on Wed., March 11 at 7pm. For tickets for both films, go to www.FanthomEvents.com.

The Nisei Vets Hall Monthly Open House presents  the following -“Our Lost Years” is screened on Feb. 29, 2020 at 2pm with filmmaker/actor Lane Nishikawa. It is co-hosted by Densho and JACL. The film commemorates the 75e anniversary of the 1942 signing of Executive Order 9066 and the 30e anniversary of HR442 Civil Liberties Act of 1988. It shares personal and comprehensive interviews that reveal the national and psychological impact of the WWII incarceration, the insurmountable ten-year battle for redress and reparations and a battered community’s legacy to voice justice fo all. Free admission.  1212  South King. 206-322-1122 or go to [email protected]

The Beacon is a new art house cinema showing unusual finds of international cinema from around the world.  Their “Anime Sunrise” series continues on Sundays  at noon. 4405 Rainier Ave. S. 206-420-SEAT or try [email protected]

The 2020 edition of “Noir City” presented by TCM host Eddie Muller goes international this year with films from Argentina, Czechoslovakia, France, Japan, South Korea, Italy, Sweden, United Kingdom, West Germany and the US. The series runs from Feb. 14 – 20, 2020 at SIFF Cinema Egyptian. “Sizzling Sunday in Japan” lines up four films from that country on Feb. 16, 2020. “A Colt Is My Passport” by Takashi Nomura screens at 12:30pm. A hitman and his sidekick attempt a daring escape after carrying out a high profile contract and incurring the wrath of a rival gang. Seijin Suzuki’s “Branded To Kill” screens at 3pm. After a botched assignment, a hitman finds himself in conflict with his organization and one mysterious and dangerous fellow-hitman. Masahiro Shinoda’s “Pale Flower’ screens at 6pm. An ex-con falls under the spell of a reckless young female gambler whose pursuit of danger has no limits.  And finally screening at 8:30pm is “Rusty Knife” by Toshio Masuda. A young ex-con is enlisted to help bring down a yakuza boss but what he really wants to do is avenge the murder of his fiancé.  A couple  “noir” films from South Korea screen on Feb. 19, 2020. Considered a classic in its own country, Kim Ki-young’s “The Housemaid” screens at 6pm. When the wife of a middle-class household asks her husband to hire help around the house, he hires one of his students who has sent him a love letter.  “Black Hair” directed  by Lee Man-hui screens at 8:30pm. When the mistress of a yakuza boss is raped by one of his gang members, she is quickly tossed aside. But this lady is not going down without a fight. For tickets, try siff.net. The SIFF Egyptian is at 805 E. Pine St. on Capitol Hill.

“Chinatown Rising” is a documentary film made by a San Francisco Chinatown father and son based on early footage shot around demonstrations in the community during the 1960s and 70s, a time of revolution and protests. It premiered in San Francisco a few months ago and now surfaces in Seattle for a one day screening on Sat., March 7, 2020 at 11am at SIFF Uptown in Queen Anne. Tickets available at brownpapertickets.com.

“Vanishing Chinatown: The World of The May’s Photo Studio” is a documentary film directed, written and edited by Emiko Omori. The executive producer is Gayle K. Yamada. Produced by Lydia Tanji and Wylie Wong. Consulting editor was Wendy Slick. Wong is a Bay Area-based art collector, art consultant and curator who grew up in Seattle. As a student, he found a pile of negatives in a Chinatown dumpster which turned out to be remains of the May Photo Studio, a portrait photography studio in the neighborhood. This formed the genesis for the film  which will make its Seattle debut at this year’s Seattle Asian American Film Festival which takes place at Northwest Film Forum and Broadway Performance Hall both on Capitol Hill.  The festival takes place Feb. 20 – 23,  2020. Northwest Film Forum is at 1515 – 12e Ave. Broadway Performance Hall is at 1625 Broadway. For details, go to seattleaaff.org.

Plan ahead for a one-time only screening of  the “Asia Films” series at Seattle Art Museum. “Masters of Modern Design: The Art of the Japanese American Experience” will screen on May 7, 2020 at the Asian Art Museum’s Stimson Auditorium with director Akira Boch in attendance. The work of Japanese American designers permeated post-war American culture although their contributions are not widely known. This film lifts the veil on that by presenting the stories and contributions of Ruth Asawa, George Nakashima, Isamu Noguchi, S. Neil Fujita and Gyo Obata (architect son of noted artist Chiura Obata). Free but you must RSVP starting in Feb, 2020.

Kumail Nanjiani latest  film role is in “The Lovebirds”, a new murder mystery comedy. He will also star as the character Kingo in Marvel’s superhero epic, “The Eternals”. Directed by Chloe Zhao and set for November, 2020 release, the film also stars Don Lee as Gilgamesh and Gemma Chan as Sersi. Nanjiani and his wife Emily V. Gordon come off the success of “The Big Sick” to collaborating on the “Little America”, a new Apple TV+Series founded on the stories of “everyday people” in the United states with each of the eight episodes drawn from real life tales taken from Epic Magazine.  They run the gamut from an undocumented Mexican teen finding purpose in an urban squash league to an Indian school kid working his way to a national spelling bee while waiting for his deported parents return.

Chinese movie director Chloe Zhao is one to watch. Her first two projects were filmed on the Pine Ridge Indian reservation with non-professionals and were highly praised. “Songs My Brothers Taught Me” premiered at Sundance and “The Rider” made its debut at Cannes. Amazon Studios has given the green light for “Bass Reeves”, a bio pic about the first black US Deputy Marshall and Marvel has hired her to direct their superhero epic, “The Eternals”.  She is also writing the script for and directing “Nomadland” starring Frances McDormand and David Strathaim. Based on the book by Jessica Bruder, McDormand stars as a woman in her sixties who loses everything in the great recession and then embarks on a journey through the American West working at minimum wage jobs and living out of her RV.

“Akwafina” is Nora From Queens” is a new Comedy Central series the award-winning actress is working on. It is set to premiere on Jan. 22, 2020. The cast includes B. D. Wong and Lori Tan Chinn. The actress also has upcoming movie roles in Marvel’s “Shang-chi and the Legend of the Ten Rings” and Disney’s re-make of “The Little Mermaid.” She is also working on a film project about how Chinatown restaurants in San Francisco, Sacramento and Los Angeles started booking punk rock bands in the 1970s and ’80s to bring in additional business. It is a joint project in which the actress is teaming up with Topic Studios. The film is based on an  article in Topic.com by Madeline Leung Coleman entitled “How Chinese Food Fueled The Rise of California Punk.”

A new TNT series based on Bong Joon Ho’s  2013 film “Snow Piercer” is in the works.

“Fabrication Des Chapeaux Du Manille”, “Industrie De L’abaca A L’ille Cebu”, “Glimpses of the Culion Leper Colony and Of Culion Life” and “Manilla Street Scene” are among the oldest examples of Philippine documentary filmmaking. Now the Philippine Studies Department at the University of London’s School of Oriental and African Studies (where these films are stored) and DaangDolyu Documentary Festival at the University of the Philippines are working together to raise enough money through a GoFundMe campaign to digitize the films and bring them to a wider audience and also have copies available for research in the country from which they originated.

The Written & Spoken Arts

“History Café: What Bus Lines Tell Us About Seattle” is the title of the latest program in this MOHAI series. Korean American Seattle bus driver Nathan Vass will talk about his book “The Lines That Make Us – Stories From Nathan’s Bus”, a local best-selling memoir of photos and essays chronicling Vass’s 12 years driving the night shift on the 7/49 route. Wed., Feb. 19, 2020 at 6:30pm (but you might want to arrive early as this book is now in its 4e printing). 860 Terry Ave. N.  206-324-1126 or try http://www.mohai.org.

Don Brooks, long-time landscape gardener at Kubota Garden has a new book out on the place entitled “Spirited Stone: Lessons from Kubota’s Garden” (Chin Music) which he will talk about on Feb. 11, 2020 at 7pm. Juanita Tamayo Lott, a student at San Francisco State back in the 70’s and  an active participant in the Third World Student Strike that brought about an Ethnic Studies Department on that campus looks back on those early years in a memoir entitled “Golden Children: Legacy of Ethnic Studies, San Francisco State” (East Wind). She talks about it on Wed., March 18, 2020 at 7pm.Third Place Books in Seward Park. 5044 Wilson Ave. S. 206-474-2200.

“Hi Five” (Muholland) by Joe Ide is the latest installment in his Isaiah Quintable P.I. série. Having grown up in South Central, Ide writes with an ice pick in tough, clever prose about life  down on the streets and in the hills above the city of angels. He reads from the book on Wed., Feb. 12 at 7pm. Third Place Books in Lake Forest Park. 17171 Bothell Way NE #A101 in  Lake Forest Park, WA. 206-366-3333.

E.J. Koh talks with fellow Seattle writer Richard Chiem about her book “The Magical Language of Others” (Tin House), a painfully wrought yet lovely book of responses to her mother’s letters from Korea when she was left alone in America as her mother worked to make a living. Wed. Feb. 19 at 7pm. Kiran Bhat reads from his novel “We of the Forsaken World” (Iguana) on Feb. 28 at 7pm. It tells the stories of four worlds falling apart and the tales of sixteen strangers living on this planet now and everywhere. All readings at Third Place Books in Ravenna. 6504 – 20e Ave. NE.  206-525-2347.

Elliott Bay Book Company continues to sponsor readings in their Capitol Hill bookstore as well as co-producing events all over the city.  Below you will find a partial listing of some of their events. Events are at the bookstore unless otherwise noted. 1521 Tenth Ave. Mimi Lok talks about her new book of short stories entitled “Last of Her Name” (Kaya) with Joyce Chen on February 26 at 7pm. The book traces the lives of women of the Asian diaspora and the histories they were born into. The day after the reading, Lok reads with Washinton State Poet Laureate Claudia Castro Luna at Seattle University.  206-624-6600 or go to www.elliottbaybook.com.

In a project powered by Shunpike, poet/curator Shin Yu Pai is launching a new series entitled “Lyric World: Conversations with Contemporary Poets”, a literary conversation series that will be hosted at Town Hall Seattle. It builds upon her previous work as an artist-in-residence for the organization. It includes a poetry reading, a musical guest and a facilitated conversation between the poet and a peer from the community centered on a specific theme. March 19 includes poet Koon Woon on the theme of “displacement/home” in conversation with Paul Nelson and a performance by percussionist Paul Kikuchi. June 25 features poet Prageeta Sharma dealing with the theme of “memory and grief” in conversation with Afrose Fatima Ahmed. The goal is to support local writers of the Asian diaspora who have never presented their work on Seattle Town Hall’s stage. In The Forum at 1119 – 8e Ave. 206-652-4255 or email [email protected].

Seattle poet Anastacia-Renee as this year’s guest curator has selected the 2020 Jack Straw Writers. Among the writers selected are Ching-in Chen and Troy Osaki. They make their debut with the other winners in the first three Fridays in May, 2020. Jack Straw Cultural Center is at 4261 Roosevelt Way NE. 206-634-0910 or go to www.jackstraw.org.

Seattle Arts & Lectures has released their new program details for their 2019/20 season. Among the many highlights included are these – In the “Literary Arts” series, Min Jin Lee will speak.  Her last novel “Pachinko” looked at four generations of an immigrant Korean family living in Japan running a pachinko parlor and gave Americans an intimate peek at a mostly hidden Japanese-Korean culture.  It was a finalist for the 2017 National Book Award in Fiction.  Set for  March 17, 2020.  Rick Barot, award-winning Tacoma poet engages in conversation with fellow poet Jane Wong about the long colonial structure that sustained Spanish control over, much of Latin and South America, the Caribbean and the Philippines as outlined in his recent book of poetry entitled “Chord”.  Set for  March 19, 2020.  Also look for appearances throughout the year at SAL events from 2019/20 Youth Poet Laureate, Wei-Wei Lee. Lee will have her first book published by Poetry NW Editions in the spring of 2020.  For more detailed information on SAL and its new season, go to lectures.org.

Hugo House that venerated Northwest center for writers and poets re-opens in brand-new digs with expanded space but in the same location.  Catch their readings and celebrate their new space.  Also with the opening of the new Hugo House, the writing center rolls out a new series of classes/workshops with a varied number of subjects taught by a talented group of writers like Nisi Shawl, Sonora Jha, R. O. Kwon, Anne Liu Kellor, Michelle Penaloza, Richard Chiem, Diana Xin, Anglela Garbes, Lora Shinn, Aimee Bhausar and Shankar Narayan.  Hugo House has selected writers for the 2019-20 Hugo Fellowships.  Joyce Chen and Jen Soriano were some of the writers selected.  The writers will be given advice and have a space to write.  They will give two readings as well.  Chen is a writer/editor/creator from Los Angeles.  She will be working on a collection of essays that examine the push/pull conflict between American ideals of independence and self-fulfillment and Taiwanese values of family community and sacrifice.  Jen Soriano is a Filipinx-American writer who blurs the lines between non-fiction, surrealism and poetry.  She is working on a memoir of colonization, historical trauma and the neuroscience of healing as well as an essay collection on gender, technology and mothering. Hugo House also brings to Seattle, award-winning novelist Gish Jen who presents a talk entitled “Politics & Possibility” on Thurs., Feb. 20, 2020 at 7pm.  It’s part of their “Word Works: Writers On Writing” series. She will address the topic of how Trump’s America can influence powerful writing and  how it probably inspired her new novel entitled “The Resisters”. Tickets on sale  at hugohouse.org. Hugo House is at 1634 – 11e Ave.  on Capitol Hill. 206-453-1937.  Go to hugohouse.org.

Sharon H. Chang, local author/activist of books on mixed race issues joins with the Seattle JACL to put together an all-day conference entitled “Mixed Race Seattle” which will bring together artists, activists and youth together. It promises to be a transformative day of storytelling, art and creative expression meant to grow community among multiracial teens, young adults and their families. Featured performers include attorney, poet and former Seattle Mayoral candidate Nikkita Oliver,  MidWest Mixed conference co-founder Alissa Paris, performer Michael O’Neal Jr., flautist Leanna Keith and Native American/mixed-race filmmaker, curator, community organizer and City of Seattle Arts Commissioner Tracy Rector. This event is free and open to all but RSVP is required as the building has a maximum capacity of 300 people. The public is welcome to attend the whole day or just drop in for specific events (check the facebook page for this event). The site is ADA-acessible and barrier-free. Sat., March 28, 2020 at Blaine Memorial Methodist Church located at 3001 – 24e Ave. S. in Seattle. Go to https://www.dropbox.com/s/swfexa76jelolob/wm_DSC_0623_edit_webp?dl=0.

The Washington  Language Arts Council sponsors a conference entitled “Poetry in Action” featuring NCTE-award winning poet Janet Wong, former Oregon state poet laureate Lawson Inada and Seattle award winning poet Lawrence Matsuda. There will also be workshops by award winning teachers as well. On Saturday, April 4, 2020 from 8am – 3pm.  Center for Urban Horticulture at 3501 NE 41S t St.  Register  at www.washingtonlac.org.

It’s early but mark your calendars for a panel discussion between Diasporic Vietnamese writers. The line-up is impressive and includes Vet Thanh Nguyen, Kim Thuy, Marcelino Truong, Vincent Lam, Diana Khoi Nguyen, Lan Cao, Mai Elliott, Le Ly Hayslip, Duy Doan and Cathy Linh Che. Tickets are $20. The event sponsored by DVAN and the Smithsonian Asian Pacific American Center will take place at Town Hall Seattle on May 2, 2020 at 4pm. Details are being worked out but for questions, email [email protected].

The University of Washington Alumni Association has released their schedule of 2020 Winter Public Arts & Lectures.  The Simpson Center For The Humanities presents their Solomon Katz Distinguished Lecture by Anna Lowenhaupt Tsing. Tsing, a Professor of Anthropology at UC Santa Cruz is the author of a book entitled “The Mushroom at the End of the World” which traces the history of the Matsutake mushroom – both a sought-after delicacy and an invasive weed – through the worlds of Japanese gourmets capitalist traders, Hmong jungle fighters, industrial forests, Yi Chinese goat herders and Finnish nature guides, revealing promise in a time of massive destruction. Feb. 25, 2020 at 7pm in Kane Hall 210 on the Seattle UW campus. The Department of Asian Languages And Literature present Paul S. Atkins, UW Professor of Asian Languages and Literature who will deliver a talk on “Zen Master Zekkai: The Life and Poetry of a Medieval Japanese Monk”. Atkins opens a window into classical Japanese history and culture through the life if a Zen monk considered one of the best Japanese poets to compose in Chinese. March 3, 2020 at 7pm in Kane Hall 210 on the Seattle UW campus. The Near Eastern Languages and Civilization department presents  Fatemeh Shams, poet and Assistant Professor of Persian Literature at the University of Pennsylvania who gives a talk entitled “Revolution in Rhyme: Official Poets of the Islamic Republic” in which he explores the complex social history and politics of literary production in Iran after the 1979 revolution and how the Islamic Republic uses literature in identity construction. March 10, 2020 at 7pm in Kane Hall 225 on the Seattle UW campus. UW Tacoma’s School of Interdisciplinary Arts & Sciences presents a monthly series entitled “Grit City Think & Drink” at the Swiss Restaurant And Pub located at 904 Jefferson Ave. in Tacoma. Cynthia Howson, Senior Lecturer, Interdisciplinary Arts & Sciences at UW Tacoma and Pierre Ly, Associate Professor at the University of Puget Sound present a talk entitled “The Rise of Chinese Wine: A Political Economy Story” in which they trace how Chinese wine has gone from being ignored to earning god medals and praise by famous critics. Hear how the story of wine is linked to politics, globalization, economic growth, environmental challenges, land rights and governance. March 10, 2020. To find the full schedule, go to uwalum.com/golectures.

Seattle poet Shin Yu Pai will have a book launch party for her upcoming new title “ENSO” (Entre Rios) at Hugo House on April 23rd at 7pm. Besides a reading, there will be special guests and handmade gifts will be given out to all who attend. Hugo House is at 1634 – 11e Ave. on Capitol Hill.

Singapore book publisher Epigram Books announced the winners of their 2020 Epigram Books Fiction Prize. 22 year-old Malaysian writer Joshua Kam won first prize for his winning manuscript “How the Man in Green Saved Pahang, And Possibly The World”. The other finalists were Singoporean librarian Erni Salleh for her manuscript, “The Java Enigma”, Bruneian academic assistant professor Kathrina Mohd Daud of the Universti Brunei Darussalan for “The Fishermen King” and US-based Thai writer Sunisa Manning for “A Good True Thai.” All will receive prize money and a publishing contract with Epigram Books. Their books  will be  published in late 2020.

Below is a partial list of new books by or about Asian Americans and new titles on Asia. If you are interested in reviewing any of them, please let us know –

“American Harvest – God, Country, And Farming in The Heartland” (Graywolf) by Marie Mutsuki Mockett. The author sets out on a months-long journey through nine states in the mid-west to learn about family members and others who harvest and till the soil. April  2020 release.

“A Place at the Table” (Clarion) by Saadia Faruqi & Laura Shouan. When two teenage girls troubled by home and school get thrown together in an after-school South Asian cooking class, a shaky alliance develops when they discover both of their moms are applying for US citizenship.

“Not Your All-American Girl” (Scholastic) by Madelyn Rosenberg & Wendy Wan-Long Shang. When two best friends try out for a school play and one snags the lead and the other is put in the ensemble because she supposedly fit the part, complications ensue. Will their friendship become undone?

“The Curious World of Seaweed” (Heyday) by Josie Iselin. The author explains the artistic and biological presence of sixteen sea  weeds and kelp that live where the Pacific Ocean converges with the North American continent in vivid and compelling detail.

“Feast of Peas” (Peach Tree) by Kashmira Sheth and illustrated by Jeffrey Ebbeler is a children’s picture book that looks at friendship in India that is tested by a love of peas and the anticipation and rewards from gardening.

“Breasts And Eggs” (Europa) by Mieko Kawakami and translated by Sam Bett and David Boyd. April  2020 release. This novel tells the story of three women: the thirty-year old narrarator who fears growing old alone and childless, her older sister who is looking for an affordable breast enhancement procedure and the older sister’s daughter paralyzed by her fear of puberty. This author’s work has been praised by Haruki Murakami.

“Prairie Lotus” (Clarion) by Newberry Medalist Linda Sue Park. This young adult novel tells the story of a half-Chinese girl living in Dakota Territory in the 1880’s who must forge friendships in a hostile environment.

“Waste Tide” (Tor) by Chen Qiufan as translated by Ken Liu is a thought-provoking and timely vision of the future. A waste worker on an island filled with the world’s electronic junk gets caught up in a war brewing between humanity’s past and its future.

“Lion Needs a Haircut” (Abrams) written & illustrated by Hyewon Yun explores the universal fear of first haircuts with honesty, tenderness and humor. A father tries to coax his son to get his first haircut.

“The Queen’s Assassin” (Putnam) by Melissa de la Cruz is the newest book of young adult fiction by this popular author. It tells the story of an assassin sworn to protect his queen and country and his apprentice – a young woman determined to forge her own path in the world.

“Why We Swim” (Algonquin)  by New Yorker contributor Bonnie Tsui is an eye-opening meditation on water and our own fascination with its properties.

“Nina Soni, Former Best  Friend”  (Peach Tree Books) AND “Nina Soni, Sister Fixer” Peach Tree Books) both by Kashmira Sheth. A middle-grade series of an Indian-American heroine who juggles science experiments, a boyfriend and a little sister as she tries to manage her chaotic life.

“The Mountains Sing” (Algonquin) by Nguyen Phan Que Mai is this prize-winning poet’s debut novel. The writer returns to her parent’s village to learn what life was really like for generations of her people caught between a painful and turbulent century of war and conflict. The author plans a visit to Seattle’s Elliott Bay Book Company in the future.

“We Are Not Free” (HMH) by Traci Chee. Chee is the author of the YA fantasy trilogy “The Reader”, “The Speaker” and “The Storyteller”. In her new young adult novel she tackles the story of Nisei teenagers from the Bay Area trapped and imprisoned in a US government internment camp during WWII who must survive as racism and injustice pulls them apart.

“The City of Good Death” (Restless) by Priyanka Champaneri won the Restless Books Prize for New Immigrant Writing. A woman is the manager of a “death hostel” in the sacred city of Banares where families of pilgrims attending their dying kin flood in and out.

“Rebelwing” (Razorbill) is the young adult novel debut of Andrea Tang. It tells the story of a cybernetic  dragons, harsh media regulations and a corrupt North America and the young girl forced to save the world.

“Ship of Fates” (Lanternfish Press) by Caitlin Chung is a historic novel set against the backdrop of the Gold Rush-era of San Francisco’s Chinese immigrant community and tells the story of two young women on a ship and a lighthouse keeper who longs to be free. It is a coming-of-age fairy tale that stretches across generations. April 2020  release.

“Hat Tricks” (Peach Tree) by Satoshi Kitamura. A humorously exaggerated tale of a rabbit magician and the surprising things he pulls out of his hat. Serves as a great interactive, read-along picture book for parents and kids.

“Brown Girl Ghosted” (Versify) by Mintie Des is a mystery thriller centered around a South Asian teenage girl in the Midwest forced to confront her past and solve the murder of a classmate.

”Where The Truth Lies – The Art of Qiu Ying” (Del Monico) by Stephen Little serves as the catalog for this 16e century painter and reveals his influence and contributions to Ming Dynasty painting.

“What’s Growing in Mommy’s Tummy?” (Cameron + Company) written and illustrated by Rachel Qiuqi Li. The fruit metaphor serves as the picture of a lovely visual journey as a little boy and his mother follow her pregnancy.

“Revenge of the Asian Woman” (Diode) by Dorothy Chan. This book of lively poems comes to life in a sexed-up soap opera/B-movie platter where passion, food and fantasy reign supreme.

“I Was Their American Dream: A Graphic Memoir” (Potter) by Malaka Gharib. This book is a tale of self-discovery, a celebration of a family’s rich heritage and a love letter to American immigrant freedom. As a youngster, the author learns to code-switch between her family’s Filipino and Egyptian customs while adapting to white culture to fit in.

“Halal If Your Hear Me – (Volume 3 of The Break Beat Poets Series)” (Haymarket) edited by Fatimah Asghar & Safia Elhillo. This anthology of writing by Muslims who are women, queer, gender queer, nonbinary, and/or trans takes no prisoners with voices that prove that there are as many ways to be muslim as there are muslims.

“This Is My World – Meet 84 Kids From Around The Globe” (Lonely Planet Kids). If you were asked to tell someone on the other side of the world about yourself, where would you start? This is the premise of this anthology that lets kids tell their own stories and introduce themselves.

“My Baby First Birthday” (Tin House) is a book of poems by Jenny Zhang, author of the award-winning collection of short stories, “Sour Heart.” In it, she examines innocence, asking us who gets to be loved  and who has to deplete themselves just to survive.

“Kona Winds” (Bamboo Ridge) by Scott Kikkawa is a “noir” detective novel set in 1950’s Hawai’i that is a violent meditation on corruption and class warfare. It follows  the experiences of a Japanese American WWII war veteran who returns to civilian Honolulu and finds himself exposed to the cynicism of power politics as he tries to solve a murder.

“Interrogation Room” (White Pine) by Jennifer Kwon Dobbs. A searing book of poems that looks at the continuing consequences of the Korean conflict and the toll it has taken on women, children and orphans and adoptees.

« Señor. Cat And The Little Girl” (Clavis) written and illustrated by Wang Yuwei was inspired by the author’s experience adopting a cat. It conveys in dreamy illustrations and spare text the unique relationship and emotion fostered between people and cats through a fairytale-like concept.

“Toy Tokyo” (Kingyo) by Manami Okazaki looks at the lo-fi technology of toy cameras and how it frames a special view of Tokyo. The author talks to photographers who use the cameras and the technicians who make them.

“Rebel” (Roaring Brook) by Marie Lu marks the finale of the “Legend” series as she tracks two brother’s lives. One enters the dark side and the other must rely on the help of strangers to save him in this young adult fantasy.

“Little Gods” (Custom House) by Meng Jin. This debut novel by first generation Chinese American author Meng Jin looks at immigrants in America. It  takes a revealing look at how bottomless ambition can spur family members to hurt and betray one another.

“Takumi: Downtown Tokyo Artisan Culture” (Kingyo) by Manami Okazaki.  The author looks at the small shops in downtown Tokyo where craftspeople still make handmade things in backstreets in contrast to the glitz of this high tech metropolis.

“Fifth Chinese Daughter” (UW Press) by Jade Snow Wong. This autobiography of a Chinese American girl coming of age in San Francisco’s Chinatown was originally published in 1950 and retains a strong influence on other Chinese American woman writers. This new edition retains the original illustrations and a new introduction by Leslie Bow who examines the changing reception and enduring legacy of this book through the years.

“A Beginning At The End” (Mira)  by Mike Chen. Six years after a global pandemic, the world comes out of quarantine and is split between self-governing big cities, hippie communes and wasteland gangs. Out of this, a father searches for a daughter and four lives collide.

“Mathematics For Human Flourishing” (Yale) by Francis Su with Reflections by Christopher Jackson. The author has written for a wide audience but especially for those disenchanted by their past math experiences. Su weaves personal reflections, puzzles and stories to show how math meets basic human desires and cultivates virtues essential for human flourishing.

“The Food of Sichuan” (Norton) is a new and updated edition of the classic “Land of Plenty” by Fuchsia Dunlop. This cookbook author from England delves deep into the spicy cuisine of Sichuan in sixty new recipes.

“Land of The Rising Cat – Japan’s  Feline Fascination” (Prestel) by Minami Okazaki. The author looks at Japan’s fascination for cats, how it started and why it continues to grow. Fully illustrated with color photos and illustration.

“The Henna Artist” (Mira) by Alka Joshi. A teenage bride in rural India escape from an arranged marriage marred  by abuse to make her way to the city of Jaipur. Here she becomes a henna artist and confidante to the city’s wealthy women. But when her husband tracks her down with a sister she ever knew she had, things get complicated.

“Bred From The Eyes of A Wolf” (Plays Inverse Press) by Kim Kyung Ju as translated by Jake Levine. This Korean drama transplants the Oedipus myth into a post-zombie apocalypse world exposing the wilderness at the heart of every human relationship.

“America For Americans – A History of Xenophobia In The United States” (Basic) by Erika Lee. Though many of us cling to the idea of America as a nation of immigrants, this award-winning historian returns with a sober look at how our nation has fostered a dark history and violence of hatred against foreigners landing on our shores.

“The Plotters” (Anchor Books) by Un-Su Kim as translated by Sora Kim Russell. This crime novel tells the story   of an assassin who steps out of line only to discover an extraordinary scheme set into motion by a trio of young women. Our man must decide at that moment if he’ll remain a pawn forever or finally take control of the plot.

“A Savage Dreamland – Journeys in Burma” (Bloomsbury) by David Eimer. This former Asia correspondent for The Telegraph was one of the first outsiders to access the country in its entirety. He arrived in 2010 as the country transitioned from a dictatorship to a democracy.

“Liking in Silence” (White Pine) by Kin Sa-in translated by Brother Anthony of Taize & Susan Hwang. This poet looks at the names and gestures of everyday persons forgotten by South Korean economic prosperity and gives them a voice.

“Death is Hard Work” (Picador) by Khaled Khalifa. This novel tells the tale of three ordinary people who face a crisis with simple determination. How does a family bury their father in his hometown when the whole country of Syria is a war-zone?

“Dreams of Fallen Blossoms – Tune Poems of Su Dong-Po” (White Pine) as translated by Yun Wang. This great Sung Dynasty Chinese poet is rendered in English with clarity and valuable notes about each poem.

“Shape Shifters – Journey Across Terrains of Race And Identity” (University of Nebraska) edited by Lily Ann e Y. Welty Tamai, Ingrid Dineen-Wimberly and Paul Spickard. This collection of essays challenges readers to think in new ways about race an d social mobility as it probes peoples of mixed race identity.

“Eight Outcasts – Social and Political Marginalization in China Under Mao” (UC Press) by Yang Kuisong and translated by Gregor Benton and Ye Zhen. The communist revolution brought sweeping changes in the country on all levels. But these movements did not come about without the persecution of hundreds of thousands of the country’s citizens. This book reveals the stories of eight victims of the Maoist dictatorship.

“The Hidden History of Burma – Race, Capitalism And The Crisis of Democracy in the 21S t Century” (Norton) by Thant  Myint-U. This historian, former diplomat and presidential advisor looks at his country at its breaking level and offers a sobering re-evaluation.

“Ronin Island – Vol. One – Together in Strength” (Boom Studios!) by Greg Pak, Giannis Milonogiannis and Irma Kniivila. After a catastrophic event changes 19e century Japan, Korea and China, two young soldiers must protect their home from a warlord’s oncoming forces. A graphic novel that is a  coming-of-age story set against the backdrop of war.

“Newcomer” (Minotaur) by Keigo Higashino as translated by Giles Murray. A new paperback edition about a Tokyo detective  who must solve the baffling murder of a woman in a tight-knit neighborhood. New to the area, he must learn the stories of each and every storefront character before the pieces fit together, revealing the killer.

“Hysteria” (Action Books) by Kim Yideum as translated by Jake Levine, So Eun Seo and Hedgie Choi. This is the Korean poet’s second book to appear in English. It rides through the surface of wage labor, patriarchy and subsistence in blunt, down to earth language that slices open the materiality of everyday life.

“A Fragile Inheritance – Radical Stakes in Contemporary Indian Art” (Duke) by Saloni Mathur. In this art history book, the author investigates the work of two seminal figures from Southern India – the New Delhi-based critic/curator Geeta Kaspur and contemporary multimedia artist Vivian Sundaram. This book presents new understandings of the culture and politics of decolonization and the role of a non-Western aesthetic avant-garde within the discourse of contemporary art.

“I Remember – Poems and Pictures of Heritage” (Lee & Low) as compiled by Lee Bennett Hopkins. In this newest poetry anthology, fourteen authors and sixteen illustrators of diverse backgrounds share honest portraits of their childhood experiences growing up in the U.S.

“Mulan – Before The Sword” (Disney) is by Newberry-winner Grace Lin. It is an original prequel novel based  on the upcoming Disney Studios live action “Mulan” film. On sale Feb. 2020. Ages 8 – 12.

“The Art Lover’s Guide to Japanese Museums” (Modern Art Press) by Sophie Richard. An indispensable guide to Japan’s most fascinating museums and galleries that gives in-depth information on not only the famous places but artist’s houses and quirky alternative spaces as well.

“Be An Invent Her – An Everywoman’s Guide To Creating The Next Big Thing (Sasquatch) by Mina Yoo and Hilary Myerson. Women are the ultimate creators, yet they are wildly under represented. This is the complete guide geared towards any woman who wants to bring her invention from idea to the marketplace

“A Bond Undone” (St. Martin’s) by Jin Yong is the second book in the epic “Legends of the Condor Heroes” series as translated by Gigi Chang. When our hero learns the truth of his father’s death, he also finds himself betrothed against his will to two women, neither of which is his sweetheart. Meanwhile he travels through the country meeting

“No Steps Behind – Beate Sirota Gordon’s Battle for Women’s Rights in Japan” (Creston) by Jeff Gottesfeld with illustrations by Shiella Witano. This biographical picture book looks at the power of education to transform lives and Gordon’s role in shaping Japan’s post-war constitution.

“Allure – Material Art and Installations From China (Smart Museum of Art) by Wu Hung and Orianna Cacchione with Christine Mehring and Trevor Smith is the catalog for a touring exhibition coming to Seattle Art Museum. It looks at how Chinese contemporary artists have been experimenting with a wide array of unconventional materials to make monumental paintings and sculptural installations.

“That We May Live” (Two Lines Press) is a new collection of speculative fiction by some of today’s most exciting writers in China and Hong Kong, many of whom are appearing in English for the first time. Lightly touching on issues of urbanization, sexuality, and propaganda, the collection builds a world both utterly disorienting and disturbingly familiar, prompting the question: Where does reality end and absurdity begin in a world pushed to its very limits?

“Cluster” (McClellad & Stewart) is a new book by award-winning Canadian poet Souvankham Thammavongsa in which she looks at the whole idea of “meaning” and the ways in which it arrives, if at all.  Born in a Lao refugee camp in Thailand, the poet was raised and educated in Toronto.

“Butterfly Yellow” (Harper) by Thanhha Lai is a novel set in the final days of the Vietnam War.  When an older sister and younger brother are separated at the airport, years pass. When the sister finally finds him years later in Texas, he has no memory of their family or Vietnam.  What can she do to bridge that gap?  A young adult novel by this National Book Award and Newberry Honor-winning author.

“Grief” (Wave) is the latest book by poet Prageeta Sharma.  With staggering emotional honesty, Sharma is able to bring forth poems that confront the sudden loss of her spouse to cancer.

“Like A Champion” (7.13) is a book of short stories by Vincent Chu.  This book is an ode to the underdogs, long shots, disappointed worker bees and hopeful lovers.

“Water/Tongue” (Omnidawn) by Mai C. Doan is a book of poems that looks at the diasporic body in an uncertain landscape and the devastating effects of colonialism.

“Fu Ping” (Columbia) is a novel by Chinese writer Wang Anyi as translated by Howard Goldblatt.  In it, she keenly observes the lives of lower class women in Shanghai in the early years of the People’s Republic of China.  These are renderings of history, class and the human heart.

“Goddess of Democracy – an occupy lyric” (Omnidawn) by Henry Weir Leung.  The poet considers the icon that came out of Tiananmen Square in light of his eyewitness observations of the 2014 Umbrella Revolution in Hong Kong.  Disobedience more and more becomes a global question that the poet holds up for the reader to ponder.

“Dear America – The Story of An Undocumented Citizen” (Harper) is the Young Reader’s Edition of Pulitzer Prize-winning author Jose Antonio Vargas.  This illegal immigrant from the Philippines challenges what it means to be American when the country he’s called home doesn’t consider him on of its own.

“Patience, Miyuki” (Princeton Architectural Press) is a picture book by Roxanne Marie Galliez as illustrated by Seng Soun Ratanavanh.  A little girl learns patience as she waits for a flower to bloom with her wise grandfather.

“Kanban – Traditional Shop Signs of Japan” (Mingei International/Princeton University Press) by Alan Scott Pate is a lovely catalog for an exhibition on the history and origins of traditional shop signs in Japan.

“Older Sister. Not Necessarily Related.” (McClelland & Stewart) by Jenny Heijun Wills is a memoir that dwells into gender, class, racial and ethnic complexities through a story of a Korean adoptee in Canada who returns to reconnect with her birth family.  In this book, one feels the ripple effect of dislocation and the rewards of struggle and forgiveness.

“Latani of The Distant Sea” (HarperCollins) is the latest book by Newberry Medal-winner Erin Entrada Kelly.  This fable inspired by Filipino folklore is filled with a rich mythology and pits a timid twelve-year-old girl against epic tests to survive and save her village from disaster.

“Surrender” (Imprint) by Cao Wenxuan as illustrated by Yu Rong.  In this picture book, children will read how seven animals try to survive the sweltering season but all are selfish.  It isn’t until they learn to share that they thrive. Lyrical poetic prose is matched by delicate, sensitive images.

“Along The Indigo” (Amulet) is by prolific young adult author/editor Elsie Chapman.  Her new novel is a heart-wrenching story of a plucky heroine trying to escape the poverty of a seedy river town to give herself and her little sister a better life.

“The Ranger” (Groundwood) by Nancy Vo.  When a ranger comes across a fox in a trap, she nurses it back to health.  When misfortune befalls the ranger, the fox returns the favor.  A picture book of understanding and companionship is evoked in striking illustrations.

“No Good Very Bad Asian” (C&R) is a comic novel by Leland Cheuk of a Chinese American underachiever’s journey into stand-up comedy while navigating the duties and obligations of society and a traditional Chinese family.

“Skyward: The Story of Female Pilots in WWII” (Flying Eye) by Sally Weng.  This children’s picture book tells the little known story of women pilots who lea

“Maangchi’s Big Book of Korean Cooking” (HMH) by Maangchi is billed as “You Tube’s Korean Julia Child” by the NY Times.  This book is called the definitive book on Korean food and the culture it comes from.  Set for Oct. 2019 release.

“How Do You Say Goodnight?” (Little Simon) by Cindy Jin and illustrated by Shirley Ng-Benitez is a cute board book for kids in which the little ones learn how to say good night in an array of languages and cultures.

“Everest” (Flying Eye) by Sangma Francis & Lisk Feng.  A non-fiction picture book full of facts about the world’s highest mountain  with marvelous visuals by Feng.

“ESL or You Weren’t Here” (Nightboat) by Aldrin Valdez.  A debut book of poems that looks at a young man’s upbringing as a queer immigrant body adrift in a sea of contradictions with negotiations between Tagalog and English at every corner.

“Bone Talk” (David Fickling Books) by Candy Gourlay tells the story of an indigenous village boy in the Philippines who must use all his skills to battle the encroachment of American invaders in this young adult novel set for November 2019 publication.

“Sightseer in This Killing City” (Penguin) by Eugene Gloria.  This new book of poems captures the surreal and disorienting feelings of the present and reveals an obsession with arrivals and departures and the bitter divisions in America.

“Bodega” (Milkweed Editions) is a debut book of poems by Minnesota poet Su Hwang. With rich lyrical and narrative poetics, she offers a revealing perspective on our nation of immigrants and the tensions rising in the margins where they live and work.

“My Story Starts Here – Voices of Young Offenders” (Groundwood) by Deborah Ellis is set for Oct, 2019 release.  It is an oral history of kids involved in the criminal justice system telling their own stories.  From different socioeconomic backgrounds, genders, sexual orientations and ethnicities, the common threads that bind include loss of parents, dislocation, poverty, truancy, addiction and discrimination.

“Fashion And Beauty in The Time of Asia” (NYU Press) edited by S. Heijin Lee, Christina Moon and Thuy Lin Nguyen Tu.  This collection of essays considers the role of bodily aesthetics foraged through engagements with fashion and beauty.  Topics run the gamut from the American influence on plastic surgery in Korea, Chinese garment workers to Nepalese nail technicians in New York.

“You Go First” (Greenwillow) by Erin Entrada Kelly.  How do two friends more than a thousand miles away survive middle school and heartbreak at home?  A love of online scrabble binds them together and their lives intersect in unexpected ways in this young adult novel.

“Spin The Dawn” (Knopf) by Elizabeth Lin.  This fairy tale is about a young seamstress who must use her creativity as a weapon against evil forces invading the land.

“Before I Was A Critic I was A Human Being” (Book Hug) by Amy Fung.  This collection of essays takes a closer look at Canada’s mythologies of multiculturalism, settler colonialism, and identity through the lens of a national art critic.

“Love in the New Millennium” (Yale) by Can Xue with a foreword by Eileen Myles and translated from the Chinese by Annelise Finegan Wacmoen.  A dark comic novel about a group of women who inhabit a world of constant surveillance, where informants lurk in the flower beds and false reports fly.  Love stories of a new millennium by a master storyteller..

“Super Satya Saves The Day” (Bharat Babies) by Raakhee Mirchandani with pictures by Tim Palin.  Can a little girl conquer the tallest slide in Hoboken without her superhero cape?  Will she be able to face her fears, help her friends and be the true hero everyone knows she is?

“Empire of Style – Silk And  Fashion in Tang China” (UW Press) by Buyen Chen.  During the Tang dynasty, the Silk Road was filled with a critical market and the thriving cultures of Central Asia and the Middle East.  Chen looks at this vibrant fashion system that emerged through the efforts of Tang artisans, wearers and critics of clothing.

“The Art of Logic In an Illogical World” (Basic Books) by Eugenia Cheng.  This mathematician and columnist demonstrates how to use mathematical logic to complement our emotions and transform the way we think about challenges.

“Team Taek Wondo #3 – How To Be Cheeri” (Rodale Kids) by Master Taekwon Lee & Jeffrey Nodelman and illustrated by Ethen Beavers.  What happens when hard worker Cheeri must collaborate with fun loving Baeoh?  How can they join forces and learn to work together to meet their next challenge?  A lesson-learning graphic novel for kids.

“Bomb Children – Life In The Former Battlefields of Laos” (Duke) by Leah Zani.  The author looks at how the explosive remnants of war continues to be a part of people’s everyday lives.

“Hard Damage” (University of Nebraska) by Aria Aber won the Prairie Schooner Book Prize in poetry.  Leaping from the personal to the political, an Afghani family history comes alive as a poet explores the historical and personal implication of Afghan American relatives in an urgent, lyrical language.

“I Love You So Mochi” (Scholastic) by Sarah Kuhn.  When a young girl gets into an explosive fight with her mother, she’s able to escape to Kyoto when her grandparents invite her to visit.  When she meets a Japanese med student, she learns more than she bargained for – about her self and her complex relationships.

“Instantly Indian Cookbook – Modern Classic Recipes For The Instant Pot” (Knopf) is the latest by the godmother of Indian cookbook writers, Madhur Jaffrey.  In it, she tries to make cooking Indian food in your home easier via the use of the Instant Pot.  Runs the gamut with recipes, side dishes, spices, special ingredients and handy tips.

“A Song For China – How My father  Wrote Yellow River Cantata” (Groundwood) by Ange Zhang.  A true story of a young Chinese author who composed the words to a song that became a patriotic anthem. Illustrated by the author’s woodblock-style art with sidebars that explain the historic background to the story.  Set for September, 2019.

“The Safety of Edges” (Marrowstone Press) by Thomas Hitoshi Pruiksma uses poetry to ponder liminal times and spaces, tracing between now and then and there, childhood and the grown poet.

“You Are My Magical Unicorn” (Cartwheel) is a colorful board book by Joyce Wan that expresses the mantra that every child needs to feel important and loved..

“My Big Bad Monster” (Disney Hyperion) by A.N. Kang.  How a little girl defeats her monster of self-doubt comes alive in these colorful pages.

“Kitchen Curse” (Verso) is a book of stories by Eka Kurniawan as translated by Annie Tucker.  These dark tales explore the turbulent dreams of an ex-prostitute, a perpetual student, victims of anti-Communist genocide, an elephant and a stone.  An Indonesian writer hailed as a SE Asian “Marquez.”

With “The Candle And The Flame” (Scholastic) by Nafiza Azad, we enter another world and another time.  Based on Islamic mythology and Arabic folklore, the author evokes a city on the Silk Road and a young woman who must be quick on her feet and alert to her senses as she navigates political intrigue and the dangers of a magical battlefield to survive.  A young adult fantasy novel.  The author born in Fuji is an Indo-Fijian Muslim Canadian.

“The Dragon Warrior” (Bloomsbury) by Katie Zhao.  This middle-grade fantasy takes a page from Chinese mythology.  A young outcast embarks on a quest to prove herself and honor her family as well.  Set for October, 2019 release.

“The Secrets  of Noh Masks”  (Kodansha) by Michshige Udaka with photography by Shuichi Yamagata.  This book is written by a Noh actor  who is also a mask maker.  He shares his love of this unique ancient drama form with the world.  The photographs make the masks come out of the darkness and become alive

“Zombie Run” (Solstice) is a novel co-written by Dwayne Perkins and Koji Steven Sakai.  It explores how to survive in a Zombie world and discover love along the way.

“Hello, Universe” (Greenwillow) by Erin Entrada Kelly.  This Newberry Award-winner tells the story of a few kids whose lives collide in surprising and unexpected ways that enrich each of them.

A trio of Japanese American artists have created “442” (Little Nalu Pictures), a graphic novel that recounts the experiences of those in their community who served in the combat regiment that became the most decorated unit in the history of American warfare. Written by Koji Steven Sakai and Phineas Kiyomura and illustrated by Rob Sato.

“The Factory” (ND) by Hiroko Oyamada and translated by David Boyd.  A Japanese novel  that looks at life in a factory from the perspective of three different characters.  This surreal, modern fable dares to ask, “Where does the factory end and the rest of the world begin?”  Set for October 2019 release.

“Take the Mic – Fictional Stories  of Everyday Resistance” (Arthur A. Levine) edited by Behany C. Morrow.   A powerful  collection of short pieces by some of the best young adult authors.  Poems, prose and art that show how today’s youth can resist injustice today.

“Who Is Afraid of Little Wolf?” (Prestel) by author/illustrator Yayo Kawamura is a board book for little ones that stresses the importance of overcoming prejudice and the power of friendship with colorful artwork of all the animals in the forest.

“Queen of Physics – How Wu Chien Shiung Helped Unlock the Secrets of the Atom” (Sterling) by Teresa Robeson and illustrated by Rebecca Huang.  Overcoming prejudice and obstacles, this famous physicist went on to make a large difference in the world. Another “shero” story  for the kids.

“Changing And Unchanging Things: Noguchi And Hasegawa in Post War Japan” (UC Press) edited by Dakin Hart and Mark Dean Johnson.  When the artist Isamu Noguchi returns to Japan for the first time in 20 years, it is 1950.  A key figure for Noguchi during this period was fellow artist Saburo Hasegawa who had lived abroad in Paris in the 1930’s and later influenced the American “Beats” about Japanese culture.  Together the two artists explore traditional Japanese culture and how it can strike a balance between tradition and Western modernity.  The exhibition catalog for a  show at the Asian Art Museum in San Francisco.

“What God Is Honored Here? – Writings on Miscarriage and Infant Loss by and for Native Women and Women of Color” (Minnesota) edited by Shannon Gibney and Kao Kalia Yang. The editors are not unfamiliar with the grief of miscarriage and infant death. In the wake of their own losses, the editors attempt to find meaning and  make sense of this phenomenon that doctors are unable to explain.

“The Dinner That Cooked Itself” (Flying Eye) by J. C. Hsyu and Kenard Pak.  Told in the form of a folktale from ancient China, a decent man longs for a bride but remains lonely until a fairy appears bearing fragrant gifts.

“A Life in a Sea of Red – Photojournalism  by Liu Heung Shing” (Steidl).  This book captures half a century of documentation by this noted Chinese photographer of the changes in life in the former Soviet Union and China.

“Mya’s long Walk – A Step At A Time” (Clarion) is by Linda Sue Park and illustrated by Brian Pinkney.  It is the picture book companion to “A Long Walk To Water” and evokes the visceral fragility of living without access to fresh, clean water in the desert of South Sudan.

“A Team of Their Own – How An International Sisterhood Made Olympic History” (Hanover Square Press) by Seth Berkman.  Before the last Winter Olympics, North and South Korea merged their women’s ice hockey teams into one.  This book tells the story of a team who lost every game but made leaps as the first ever Korean team to overcome language, culture, and political barriers to write history.

“When Spring Comes to the DMZ” (Plough Publishing) by Uk-Bae Lee is a picture book for children that looks at the lush no-man’s land that lies untouched and serves as a barrier between North and South Korea through the eyes of a grandfather and his grandson.

“The Wolf of Oren-Yaro” (Orbit) by K. S.Villoso due out Feb. 2020 is a Filipino-inspired fantasy about a woman in power finding strength against all odds.  A young adult fantasy novel.

New York-based poet/artist Yoko Otomo’s new book entitled “Anonymous Landscape” (Lithic Press) offers readers gem-like reflections of moving simplicity in her poems on a landscape of the mind open to beauty and the act of living.

“The Living Days” (Feminist Press) by Ananda Devi, a novel of post-9/11 London that looks at racism, aging and the perturbing nature of desire which all surface in the relationship between an older woman and a teenager who meet one day on Portobello Road.

Art News/Opportunities

The Artist Trust Newsletter provides monthly information on upcoming grant deadlines, workshops, Artist Trust events and just general useful information/opportunities for artists in all media. Applications for 2020 Artist Trust Fellowships are now available. Deadline is March 9, 2020. Applications for the 2020 Yvonne Twining Humber Award for Lifetime Achievement and SOLA Awards for Washington State female artists are also available beginning Feb. 24, 2020 and carry a deadline of March 23, 2020. Go to www.artisttrust.org for all details.

Applications for 4Culture’s 2020 project grants in Arts, Heritage and Preservation are due March 4, 2020. For details, go to 4culture.org.

Friends of Asian Art was awarded a three-year Civic Partners Grant from the Seattle Office of Arts & Culture. The grant will go toward producing interactive Asian arts and culture programs to senior centers and retirement communities within the greater Seattle area. For more details  on this organization or to become a member, to to friendsofasianart3.com.

ARTS at King Street Station is a cultural space that celebrates the creativity of communities of color, and that reflects and foster the creativity and talents of people that continue to create the fabric of Seattle. We are seeking proposals for exhibitions, performances, workshops, lectures, readings, screenings, gatherings, events and more. All creative mediums are welcome. Apply anytime with the rolling deadline. All selected proposals will be resourced up to $25,000 depending on scale and type. Download an application. Go to Seattle.gov or type in ARTS at King Street Station.

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Article Aléatoire

La lithothérapie, c’est quoi? pierres de lithothérapieLes soins pendant pierres s’appellent la lithothérapie, ce approche holistique de soin est basée sur l’influence subtile que apporter des minéraux. Des quotité de personnes s’aident de pierres, autant de individus avec autant de réussites. Trouvez des pierres de lithothérapie dans la boutique essencedegaia.fr. Pour comprendre le fonctionnement de la lithothérapie, il faut dans un premier temps reconnaître l’existence d’énergies non visibles qui nous composent et qui composent tout ce qui est manifesté,

une aura d’énergie qui est aussi réelle que ce que vos yeux vous permettent de voir du plan physique. Ces énergies subtiles qui nous composent sont marque de notre état d’être aux niveaux émotionnel, mental et spirituel.

Si changeons d’émotion nous changeons la fréquence vibratoire de émotionnel. Les minéraux ont une énergie forte avec des caractéristiques très marquées en fonction de leur composition et cristallisation, une énergie subtile et stable qui est utilisée en lithothérapie pour influencer corps subtile et obtenir des optimisations de état d’être.

La portée de ces améliorations est à prendre comme des aides agissant à des niveaux différents relativement à la pierre utilisée. cristal d’amétyste pierre violette de lithothérapieC’est une astuce de soin holistique car elle est une intervention à in extenso les volumes de l’être. L’action se fera chez sur notre système d’énergies subtiles ensuite selon interaction, se transmettra à à nous autres charpente de manifestation qui sont en relation avec le type d’énergie de la pierre, or cran physique, émotionnel, mental et spirituel.
Onissue des pierres de santé, qui seront en relation avec notre besoin, pour rétablir une harmonie, pour « soigner » un problème, aider au contraire contre des troubles digestifs, contre le stress, pour favoriser la guérison, réduire douleurs, dynamiser un organe, retrouver le sommeil, lutter contre les migraines, permettre de passer de judicieuses nuits réparatrices, … Le terre d’applications n’a pas de limites.

Au point de l’efficacité elle est très variable et dépend principalement de deux points: la profondeur du problème et la sensibilité de la personne. Peu importe la croyance de la personne, la lithothérapie n’est pas un placebo, que l’on croie ou pas aux effets des pierres, elles auront un effet. Par contre, un individu qui est d’un naturel à se protéger, qui n’accepte pas les idées nouvelles, qui a du mal à remettre en question ses croyances, ces individus vont avoir du mal à ressentir des effets rapidement. Cet état d’esprit fondée comme une barrière de défense énergétique qui empêche d’être positivement influencé dans énergies bénéfiques des pierres. Tout n’est pas et pourquoi pas noir, complets degrés d’ouverture d’esprit existent si bien qu’une personne ne sera à la saint-glinglin 100% fermée ni 100% ouverte. Notre sensibilité varie aussi fortement par rapport à notre état d’être du immédiatement présent.

. druse de cristal de roche, recharge en lithothérapieOn utilise des pierres de soin aussi pour développer des capacités, par exemple pour aider à la méditation, pour livrer plus endurant dans l’effort physique, pour augmenter une joie de qui est avant bien présente, ainsi qu’à pour agrandir l’intuition. Les pierres utilisées sont généralement des minéraux semi précieux ainsi qu’à précieux sous forme de cristaux, travaillés en pierres polies, et pourquoi pas laissés à l’état naturel en pierre brute. Les pierres polies sont privilégiées en lithothothérapie quant au côté pratique, dans la poche d’un vêtement, l’état poli est agréable et n’abîme pas le tissu.

Une fois qu’une pierre vous à transmis son énergie, elle aura besoin d’être purifiée et rechargée au bout d’un immédiatement afin qu’elle retrouve toutes ses capacités. À ce suje,t vous avez la possibilité consulter articles sur la purification et sur le rechargement. La lithothérapie avoir une forte influence sur notre état d’être sans toutefois qu’elle ne remplace une examen chez un médecin, c’est une aide additionnelle qu’apporte cette thérapie alternative.

Pour décourir sagesse de tout pierre, vous retrouverez une grande liste à droite de ces page, aussi des sujets utiles pour utiliser pierres en soins, Bonne lecture! La lithothérapie est auparavant apporté beaucoup à énormément de personnes à travers le monde, pourquoi pas à vous? Qu’est ce que la lithothérapie ? Aujourd’hui, la lithothérapie est détaillé sur la planète entier, tout en or moins dans son impression originel qui est l’utilisation des pierres. À titre d’exemple, l’industrie s’est emparé du spath pour utiliser ses propriétés vibratoires, doté d’une fréquence à la fois régulière et unique, pour réaliser des montres. Qui ne possède ou n’a possédé au cours de ces dernières années une montre à quartz ? Nous ne parlons pas d’ailleurs des parures de bijoux en pierres naturelles selon lesquelles nous avons été attirés dans beauté. Pas si loin que cela à l’époque, nos aïeux offraient régulièrement cadeaux naturels de la nature, connaissant complétement leurs et leurs vertus. Au delà des symboles, les quantités infinitésimales de minéraux intéressent chercheurs contemporains pour densité et condensé de propriétés.

Dans un registre plus spirituel, nous entendrons de préférence deviser de des pierres cependant les de de deux ans ans reposent sur ce même thèse qu’est la composition chimique de chacun minéral et de son impact sur son environnement.

Des résultats sont aujourd’hui prouvés, d’or travers de la magnétothérapie qui s’appuie sur la connaissance de la magnétite dans un processus d’autoguérison. Les vertus sédatives de la pierre d’aimant permettent ainsi un élevé dans ce cadre bien précis.

Dans un parallèle similaire, le cuivre possède aussi des vertus reconnues thérapeutiquement. Aujourd’hui, de nombreux chercheurs s’accordent pour dire que l’impact vibratoire et actif des pierres sur psychisme et notre physique est issu d’une analogie structurelle. Quotidiennement, des éléments minéraux essentiels sont ingérés pour notre équilibre structurel. Ainsi, déposer une pierre or creux de sa menotte mais aussi plaider un bijou en pierres naturelles disposant des vertus appropriés s’avérer essentiel pour pallier à ce manquement.

La pierre en question déclenche or contact de la peau une résonance vibratoire singulier qui va stimuler les minéraux organiques, retirant de potentiels dysfonctionnements corporels. Chaque minéraux mobile d’une heurt unique et offre ainsi une activation des biotope énergétiques (chakras).

Cette heurt va varier compte tenu de sa composition chimique, de sa structure cristalline sa couleur. La pierre ainsi qu’à le minéral en question disposera ainsi de rares et permettra de réguler une partie de corps, alors de retrouver son équilibre fonctionnel.

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